Feedback and letters for Live Theatre Youth Theatre and educational events events. Includes letters from primary school children about a performance.

Letters from members of the public offering feedback on Northern Stage productions/services. Subjects covered include diversity of cast, customer experiences, explicit language in visiting productions, sight lines in theatre, criticisms of visiting Cabaret Excentrique show in Stage 3, quality of food and atmosphere in restaurant, thoughts on Christmas shows sent by parents and teachers, political impact of Our Friends in the North, BSL interpreted performances, set design for Rutherford & Son, and detailed information about original slides used in 1963 Stratford East production of Oh What A Lovely War. Also includes letter from Dr Margaret Lewis, former Vice-Chair of the Northern Stage Board, congratulating Erica Whyman on her appointment as Executive Director, and several letters to Erica Whyman and Alan Lyddiard from directors, representatives from funding bodies, and other stakeholders following visits to specific productions.

Typed and collated copy of written feedback from volunteers and customers on Northern Stage residency at St Stephen's, Edinburgh.

Terry Farrell and Partners fees file for the Jencks House project 1978-1983. Filed in approximate date order, it contains invoices and other finance related documents.

Project objectives were to research and disseminate information on fees payments to artists, including the identification of levels of fees in different contexts, factors that impact on level of fees, attitudes for payment of artists, examples of good practice and comparison research in relation to other sectors.

Title: Felt / Drainage Roof Plan, Revision A; Scale: 1:100; Date: 21 February 1983; LP/2700/05A; Size: 590mm x 880mm; Material: Transparent paper.

Print taken from Joseph Crawhall II's woodblock depicting female playing tamborine, as used in his published works 'Impresses Quaint' and 'A Beuk O' Newcassel Sangs.'

Midland Bank, Fenchurch Street, London. 1983-1986. An office and banking building on a prominent corner site, the building was conceived as a "gateway" to the City, with a distinctive corner tower. Whilst construction techniques and materials were contemporary, the substance of the building was designed to reflect the adjacent buildings on Leadenhall and Fenchurch streets. Cornice lines from the adjacent buildings were continued and, together with street level rustication, aimed to articulate the scale. The tower on the corner at St Michael's Well had a circular colonnaded portico at ground level, forming the entrance to the bank. The external façade was encased in two different granites. The upper levels of the building, set back progressively above the main cornice level, were clad in metal and glass curtain walling to suggest a traditional attic or roof structure.