The personal archive of Thomas Hodgkin (b.1831 - d.1913), barrister and later a partner in the banking house 'Hodgkin, Barnett, Pease and Spence', Newcastle upon Tyne. Hodgkin also devoted much time to historical studies, specialising particularly in the history of the early middle ages, and published a number of historical texts during his lifetime. Much of the Hodgkin family papers are held in the Welcome Library in London. The archive held within Newcastle University Special Collections is the personal archive of Thomas Hodgkin and comprises of notes and draft editions relating to his historical research; travel journals, photographs and slides; diaries; a small number of letters; and other published and unpublished material relating to his historical research.

A collection of books and a small collection of papers belonging to Harry Faulkner-Brown (1920-2008), who established the architectural practice now known as Faulkner-Brown Associates and was the Consultant Architect responsible for designing the Robinson Library at Newcastle University.

This extensive collection contains 60 years of professional practice material created by the renowned architect and urban planner, Sir Terry Farrell, from his architectural education, international business operations and urban planning advocacy work. The archive features pieces from his schooldays in Newcastle and his time studying architecture at the University in the 1950s. A large proportion of the collection consists of thousands of items relating to his creation of iconic designs such as the MI6 Building in London, the Embankment Place development above Charing Cross station and Beijing South Station in China, along with a large supporting visuals library and marketing materials. Additionally, the collection also contains items relating to Sir Terry Farrell's involvement in numerous committees and advisory groups for urban development.

Leonard Charles Evetts (1909-1997) was a designer and artist, and the Head of Design at Kings College Newcastle between 1963-1974 (now Newcastle University). Evetts is known primarily for working in stained glass, calligraphy and watercolour, although the full range of his design work was extensive, and included various more unusal commissions from milk cartons to ceremonial ornaments. His contribution to building and artefact conservation was also significant and within this remit he was Vice-Chairman of the Council for the Care of Churches, between 1972-81, and a member of Newcastle Diocesan Advisory Committee (on new installations and additions) for over fifty years. Over four hundred examples of his stained glass work exist in Britain, including his most ambitious work at St Nicholas, Bishopwearmouth, Sunderland comprising of forty-six individual windows.

This archive of Leonard Evetts' work, kindly transferred to Newcastle University Library by his widow in 2016, comprises largely of his commission project files. These files are of great research value, containing large scale colour designs as well as sketches and commission correspondence. They span hundreds of commissions which include paintings, the design and restoration of armorials, the design of ceremonial and religious objects, and the design and execution of over 300 stained glass windows in both religious and secular settings.

In addition, the collection also includes a smaller representation of other aspects of Leonard Evetts' work including some watercolours, lettering studies and some personal family items.

Eleven prints by Graham Clilverd - all of hospital buildings. Graham Clilverd (1883-1978) was a British architectural painter, engraver and etcher. Having studied in London at the Central Arts School, he first exhibited his art around 1906 and by 1910 his paintings were annually shown at such major institutions as the Royal Academy, the Royal Scottish Academy and at the Paris Salon. During the First World War, Graham Clilverd also served as a camouflage artist (1916-1918) and he is believed to have acted as a war artist in the Second World War. Clilverd's main passion was architectural art, and his output eventually earned him a Fellowship of the Royal Society of Arts. His extensive series of hospital prints dates from approximately 1950s.

This collection comprises copied, and some original, photographs, papers and documents relating to the architect Robert Burns Dick (1868-1954) who had substantial influence in the north-east of England, particularly in the city of Newcastle upon Tyne.

The collection includes photographs of personal documents relating to land conveyance and partnerships with Cackett and Mackellar; architectural drawings and photographs of 'Millmount' and 'the Wedge', both designed by Burns Dick; and newspaper articles and other cuttings relating to him and his work. There is also material relating to an exhibition on Burns Dick held by the northern region of the Royal Institute of British Architects in 1984.