Tuer writes to apologise for mistakes made by his bookkeeper, and to comment upon an advert Crawhall produced. Written from 50, Leadenhall Street, London.

Tuer writes to comment upon a sketch Crawhall had produced. Written from 50, Leadenhall Street, London.

Tuer writes to enquire about wood blocks representing horn books and horn books themselves in relation to a project he is undergoing. Written from 50, Leadenhall Street, London.

Tuer writes to inform Crawhall he is willing to help with the 'Montagu blocks', and in return he specifies the design for a horn book which he would like Crawhall to produce.Written from 50, Leadenhall Street, London.

Tuer writes to discuss a drawing project, and remarks upon Crawhall quitting engraving. Written from 50, Leadenhall Street, London.

Tuer writes to discuss drawings Crawhall has created for a project on horn books. He also enquiries into the value of 'the Crown Derby tea set' and other articles Crawhall intends on selling. Written from 50, Leadenhall Street, London.

Tuer writes to discuss blocks, the colouring of Crawhall's drawings and remarks on the 'Montagu drawings'. Written from 50, Leadenhall Street, London.

Tuer writes about impressions he has sent to Crawhall for colouring, and enquiries whether one drawing is from Barclay's "Ship of Fools", 1509. Written from 50, Leadenhall Street, London.

Tuer writes to propose terms for the publication of Crahwall's volume. He also asks for Crawhall's ideas upon selling price and the number of copies that should be printed initially. Written from 50, Leadenhall Street, London.

Tuer writes to remark on ExLibris plates he has sent to Crawhall, which he comments are 'not casts; they are the originals engraved on metal'. Written from 50, Leadenhall Street, London.