Tuer writes about Crawhall's move from Newcastle to Ealing, and to invite him to his home at 18 Notting Hill Square. Written from 50, Leadenhall Street, London.

Tuer writes about payment for work Crawhall had completed. He also remarks on the blocks used for the "Thousand Cuts" book, and asks Crawhall to produce wording to be painted around Tuer's tennis courts. Written from 50, Leadenhall Street, London.

Tuer writes about "London City" and thanks Crawhall for returning a copy of it. Written from 50, Leadenhall Street, London.

Tuer writes to comment upon a sketch Crawhall had produced. Written from 50, Leadenhall Street, London.

Tuer writes to apologise for mistakes made by his bookkeeper, and to comment upon an advert Crawhall produced. Written from 50, Leadenhall Street, London.

Tuer writes to inform Crawhall he is willing to help with the 'Montagu blocks', and in return he specifies the design for a horn book which he would like Crawhall to produce.Written from 50, Leadenhall Street, London.

Tuer writes about impressions he has sent to Crawhall for colouring, and enquiries whether one drawing is from Barclay's "Ship of Fools", 1509. Written from 50, Leadenhall Street, London.

Tuer writes to enquire about wood blocks representing horn books and horn books themselves in relation to a project he is undergoing. Written from 50, Leadenhall Street, London.

Tuer writes to discuss a drawing project, and remarks upon Crawhall quitting engraving. Written from 50, Leadenhall Street, London.

Tuer writes to discuss drawings Crawhall has created for a project on horn books. He also enquiries into the value of 'the Crown Derby tea set' and other articles Crawhall intends on selling. Written from 50, Leadenhall Street, London.