Tuer writes to ask Crawhall to colour a copy of "Old Ffrendes" in order to create a colour pattern. Written from 50, Leadenhall Street, London.

Tuer writes to ask Crawhall to draw up a prospectus for two of his recent publications. Written from 50, Leadenhall Street, London.

Crawhall writes in response to Tuer's suggestions to alter the title of his latest volume. Crawhall writes that he is 'sick' of working on the book, and would like to sell the manuscript and blocks as it is, and asks Tuer to suggest a reasonable price. Written from 50, Leadenhall Street, London.

Tuer writes concerning an Izaak Walton block he wishes to find. Written from 50, Leadenhall Street, London.

Tuer writes concerning a problem with the paper used to bind copies of "Old Ffrendes", and alterations to the text on the cover. Written from 50, Leadenhall Street, London.

Tuer writes to comment on various publishing ventures, most notably that he wishes to issue 'Chapbook Chaplets at once' shortly followed by 'Old Ffrendes'. He also asks if Crawhall could design some head and tail pieces relating to printing books. Written from 50, Leadenhall Street, London.

Tuer writes about Crawhalls' design of headpeices and cuts relating to the printing of books. Written from 50, Leadenhall Street, London.

Tuer writes to discuss the potential of "Change for a Shilling", and to provide further details on the printing illustrations he has asked Crawhall to design. Written from 50, Leadenhall Street, London.

Tuer writes to discuss the search for Crawhall's 'old circulars' and blocks. Written from 50, Leadenhall Street, London.

Tuer writes to discuss plans to send a note to members of the Arts Association of Newcastle to inform them of the publication of Crawall's new book. Tuer includes a draft of the wording which he asks Crawhall to look over. Written from 50, Leadenhall Street, London.