Tues writes to thank Crawhall for lettering he has produced. Written from 50, Leadenhall Street, London.

Tuer writes about payment for work Crawhall had completed. He also remarks on the blocks used for the "Thousand Cuts" book, and asks Crawhall to produce wording to be painted around Tuer's tennis courts. Written from 50, Leadenhall Street, London.

Tuer writes about the colouring of "Olde Ffrendes". He also discusses a meeting he has had with Crawhall's coexecutor Mr Barnes, who he has arrwnged with to reprint a Bewick catagogue. Written from 50, Leadenhall Street, London.

Tuer writes that he has enclosed a revised copy of a prospectus that he wishes Crawhall to look over, as well as binding specimens for "Olde Ffrendes". Written from 50, Leadenhall Street, London.

Tuer writes about a meeting with Crawhall's coexecutor, and to query about the printing of a catalogue. Written from 50, Leadenhall Street, London.

Tuer writes to request payment for 'Chaplets'. Written from 50, Leadenhall Street, London.

Tuer writes to discuss the printing of the press opinions in relation to Crawhall's new book. Written from 50, Leadenhall Street, London.

Tuer writes to thank Crawhall for a Christmas card, and to enquire about the wood blocks he used to make it. He also comments upon the slow sales of Crawhall's book. Written from 50, Leadenhall Street, London.

Tuer writes about the terms of a volume Crawhall wants to publish. Tuer asks Crawhall to value his work and to give his thoughts on using varied texture paper in the printed book. Written from 50, Leadenhall Street, London.

Tuer writes to inform Crawhall he has received 'the boxes of blocks'. Written from 50, Leadenhall Street, London. Letter includes two rough pencil sketches.