Tuer writes to inform Crawhall he is willing to help with the 'Montagu blocks', and in return he specifies the design for a horn book which he would like Crawhall to produce.Written from 50, Leadenhall Street, London.

Tuer writes to discuss a drawing project, and remarks upon Crawhall quitting engraving. Written from 50, Leadenhall Street, London.

Tuer writes to discuss drawings Crawhall has created for a project on horn books. He also enquiries into the value of 'the Crown Derby tea set' and other articles Crawhall intends on selling. Written from 50, Leadenhall Street, London.

Tuer writes to discuss blocks, the colouring of Crawhall's drawings and remarks on the 'Montagu drawings'. Written from 50, Leadenhall Street, London.

Tuer writes about impressions he has sent to Crawhall for colouring, and enquiries whether one drawing is from Barclay's "Ship of Fools", 1509. Written from 50, Leadenhall Street, London.

Tuer writes to propose terms for the publication of Crahwall's volume. He also asks for Crawhall's ideas upon selling price and the number of copies that should be printed initially. Written from 50, Leadenhall Street, London.

Tuer writes to remark on ExLibris plates he has sent to Crawhall, which he comments are 'not casts; they are the originals engraved on metal'. Written from 50, Leadenhall Street, London.

Tuer writes to thank Crawhall for sketches he has received, and to discuss work on hornbooks. Written from 50, Leadenhall Street, London.

Tuer writes to agree with Crawhall on the 'birch rod subject' in relation to a proposed illustration for work on a horn book. Written from 50, Leadenhall Street, London.

Tuer writes to ask whether Crawhall knows of Robert White, a 'poet and local historian of Newcastle-upon-Tyne' with the 'choicest libraries of local stories, ballads, hornbooks etc. ever gathered together'. Written from 50, Leadenhall Street, London.