This is a small collection comprising 26 volumes of printed music and books about music, dating from the Eighteenth and early-Nineteenth Centuries, from the library of the late Hugh Vernon (d. 1975), including An account of the musical performances in Westminster-Abbey, and the Pantheon: May 26th, 27th, 29th; and June the 3d, and 5th, 1784. In commemoration of Handel by Charles Burney (1785) and the undated The Cuckoo: A Pastoral Ballad set by Mr Arne, Sung at Vauxhall by Mrs Weichsel [Mrs Frederika Weichsel is recorded as having performed at Vauxhall Gardens, London, and was reportedly a pupil of J.S. Bach].

Consists of 42 prints made from James Gillray's original engravings and documents relating to Newcastle University's acquisition of the prints.

19th Century printed ephemera, much of which originates from North East England.

The Local Illustrations date from the Eighteenth and Nineteenth Centuries and depict a variety of local scenes and structures, such as schools, hospitals, residences, castles and churches. There are views of Newcastle, Durham, Northumberland, Sunderland; portraits; depictions of local life (keelmen playing cards) and a plan of the Grainger Market, Newcastle.

The Stanford Collection comprises the musical manuscripts (published and otherwise) of Irish composer Charles Villiers Stanford (1852-1924) and was brought together by Dr. Frederick Hudson, at one time a member of staff in the Department of Music.The collection, representing approximately seventy-five percent of Stanford's output (symphonies, operas, chamber, concerto, piano and organ works, church music and choral works), includes autograph manuscripts and photocopies of autographs, as well as transcripts of Stanford's letters to The Times, essays and articles. For many years organists in Canada and England were of the opinion that there were no brass or percussion parts for St. Patrick's Breastplate but the score proves that there were!

The Northumberland Handicrafts Guild was formed at a meeting held on 9th June 1900 and its aim was to promote the study of handicrafts in the County of Northumberland. There was a particular emphasis on embroidery, woodwork, basket work, leather work and weaving. Prominent members of the committee include Thomas Edward Hodgkin, Richard George Hatton, Ella Pease and Miss Noble.

This archive comprises of the annual reports of the organisation 1900 - 1936, together with a small collection of other constitutional and committee records. The collection includes also accounting material for the period 1930 - 1947 and press cuttings related to the activities of the Guild. Part of the archive is dedicated to mementos and the embroidery work of Margaret Scott, a member of the Guild in the early 1900s.

The archive comprises mainly correspondence addressed to Sir Walter and his first wife Pauline Lady Trevelyan nee Paulina Jermyn. The letters reflect the couple's interests in natural history, botany, geology, antiquities, travel, temperance, phrenology, art and literature, and include examples from many well known contemporaries.

There is also material relating to the history of the Trevelyan family, accumulated during Walter and Charles Edward Trevelyan's preparation of 'The Trevelyan Papers' for publication.

The archive also features diaries and journals, sketchbooks, notes for speeches and scrapbooks. There is material relating to the North East of England, including proposed railways, Tyne crossings at Hexham and decoration of the Great Hall at Wallington.

The Crawhall Collection is a wonderfully-diverse and visual collection of material by and relating to local businessman, artist and patron of the arts, Joseph Crawhall II (1821-1896). The published book portion of this collection comprises of 23 volumes and includes chapbooks, such as Olde ffrendes with newe faces (1883), A Jubilee Thought (1887) and Old Aunt Elspa's ABC [1884].

This collection comprises a large number of the musical manuscripts of the twentieth-century British composer David Barlow (1927-1975), formerly a lecturer in the Department of Music at Newcastle University, although it is not a complete collection of his works. The material comprises over 100 items which cover the musical genres of orchestral, opera, choral, songs, solo works, instrumental and chamber music, although some of the scores are incomplete. Barlow's musical influences included biblical and literary interests and the collection includes his church operas David and Bathsheba and Judas Iscariot as well as his children's opera The Selfish Giant. The collection also contains copies of many of Barlow's important works which are held at the British Music Information Centre, as well as some early manuscripts (mainly short works and sketches) and copies of recordings of Barlow's music and interviews, held on ten reel-to-reel tapes at present.