The papers and photographs of Gertrude Bell mainly consist of the letters Gertrude Bell sent home to her family whilst on her travels, of the diaries she kept when abroad, and the photographs taken whilst she was away.

The papers consists of sixteen thousand letters, sixteen diaries, seven notebooks and forty-four packets of miscellaneous material; whilst the photographic collection is about 7000 in number, and consists of photographs taken by her between c.1900-1918. Those of Middle Eastern archaeological sites are of great value because they record structures which have since been eroded or, in some cases, have disappeared altogether, while those of the desert tribes are of considerable anthropological and ethnographical interest.

Her competence as a field archaeologist and photographer means that the papers are indispensable for archaeological research of parts of the Middle East.

The items in the Bell Miscellaneous Papers contain material relating to Bell's work and travels, including contemporary articles, notes by Bell on various topics (archaeological sites, Arab tribes, etc.), letters concerning the publication of Bell's letters by Lady Richmond and letters to and from Gertrude Bell, maps and plans, literary manuscripts, lecture notes and copies of letters from Gertrude Bell held elsewhere. There is also a series of the letters known as the Doughty-Wylie letters, 1913-1915. These are the letters between Gertrude Bell and Charles Doughty-Wylie, an army officer with whom Bell was in love. The letters were returned to Gertrude Bell after his death at Gallipoli in 1915.

The papers held at Newcastle are a substantial repository of the personal papers and plans of Sharp. The major part of the collection consists of papers collected from Sharp's Oxford house on his death by the now-retired Professor Brenikov of this University. The papers were subsequently put into storage. Their significance realised they were deposited with the University Library Special Collections. The principal elements of the collection are as follows:

Files of information and correspondence relating to individual texts, including unpublished works

Files of information and correspondence relating to individual plans. This includes, for example, work on historic cities, new villages, new towns and overseas commissions and competition entries

Original plans for many commissions

Extensive documentation on key planning cases where Sharp appeared as a witness at public inquiry e.g. Oxford Roads, Kepier Power Station Durham, Clarendon Hotel Oxford

Extensive books of press-cuttings on all of the above

Typescript of an unpublished autobiography and manuscript autobiographical notes

Typescripts of government information films, radio talks, lectures

Documentation on unsuccessful commissions

Correspondence regarding the formation of the Civic Trust

Lecture slides

Miscellaneous personal correspondence

Creative writing i.e. poetry, novels, radio plays etc., largely unpublished

Collectively these resources:
Demonstrate the evolution of Sharp's thinking both in terms of individual commissions and over the course of his career
Illustrate important issues about the process of undertaking planning commissions in the period e.g. fees charged, numbers of staff employed, briefs set etc.
Provide a rich source of information on how commissions were received both by clients and professional and local audiences
Provide a rich source of material on how competing arguments and ideologies of urban evolution were advanced.

Comprising most of family correspondence, with some content relating to estate and property and George Otto Trevelyan's political career. Also includes autographs and cuttings of notable figures.

This collection contains correspondence of Sir Austen Henry and Lady Enid Layard and Charlotte Maria Guest between 1869 and 1884. One series mainly comprises the correspondence of Enid Layard with her sister Charlotte Maria Guest and a smaller number from Sir Austen Henry Layard to Charlotte Maria Guest. A second series comprises a file of letters from members of the Du Cane family, including letters written by Alicia Marie Du Cane while staying with the Layards in Constantinople. Much of the material relates to Layard and the custodianship of his collection. There is also some published material relating to Layard, photographs of the Layard family, and some associated family and biographical material including objects and artefacts.

Papers primarily relate to Wilcox's time in Germany and Russia and mainly consist of typescripts (some annotated/edited) and offprints of articles published in contemporary journals. These include, for example, versions of a series of articles on Kerensky and Korniloff from the Fortnightly Review (September 1918-January 1919) and the subject's response. There is also a large collection of foreign-language articles and pamphlets (some by Wilcox), including B.V. Savinkov's Za rodinu i svobodu (Warsaw, 1920). Also included is a series of typed primary sources (speeches/statements), primarily relating to the Kerensku-Korniloff affair. There is some correspondence, most significantly a series of letters from Edmund Clerihew Bentley written from the Daily News and, later, the Daily Telegraph (1908-1923). Bentley was a journalist, author of Trent's Last Case, and inventor of the clerihew poem, and remained in contact with Wilcox for many years, although there are no extant letters later than 1923. Also included are a number of letters from Irene Ward, MP, and a small collection of family correspondence. Papers also include collections relating to Wilcox's personal and family life. These include a large collection of photographs, a small collection of articles and pamphlets in areas of interest and bills and receipts relating to the last years of Wilcox's life in Newcastle upon Tyne.

Consists of letters and documents covering the life and work of Sir Lawrence, primarily relating to his time working for the Royal Air Force during World War I and World War II.

Consists of fifteen diaries of William Brewis of Mitford, and two items of contemporary published material relating to the diaries.

There is one diary for every year between January 1833 and January 1850, aside from 1835, 1836 and 1844. These provide a first-hand account of rural life in the Morpeth and Ponteland districts, as Brewis describes visits to hiring fairs and markets, current sale prices for crops and animals, and farms available to rent. He also regularly observes weather conditions, which were unusually severe between 1837 and 1855 due to the advance of Icelandic glaciers, and their effect on the growing seasons and harvests. Brewis remarks on how his farm is affected by a ‘distemper’ amongst the livestock, similar in nature to an outbreak of foot and mouth disease, as well as his own illness during the outbreak of influenza in 1837.

Brewis documents dining with leading members of the community and gives an insight into the relationships between farmers, local landowners and businesses in the area. His diaries make note of events in the local community including the execution of Ralph Joyce, a 24 year old man charged with the murder of his own father who was hung in Morpeth gaol in 1846.

Like many other farmers of the time, Brewis took a keen interest in national and international news. In his diaries he notes and makes frequent comments on national political and societal events. These include the death of King William IV, whom Brewis was fond of, and the marriage of Queen Victoria and Prince Albert, whom Brewis often criticised. There are also entries on Chartism and the Chartist rising in Newport led by John Frost, as well as notes on India and the war against the Sikhs in April 1846.

The Local Illustrations date from the Eighteenth and Nineteenth Centuries and depict a variety of local scenes and structures, such as schools, hospitals, residences, castles and churches. There are views of Newcastle, Durham, Northumberland, Sunderland; portraits; depictions of local life (keelmen playing cards) and a plan of the Grainger Market, Newcastle.

This collection of illustrations by local artist Thomas Hair (c.1810-1875) depicts the mining industry and the coal trade in the North East in the nineteenth century. The illustrations are based on Hair's watercolours on the same topic. The illustrations in the collection highlight numerous aspects of the region's mining heritage, including collieries, machinery, and river trade scenes. Many of the illustrations also show the everyday workings of the industry and those involved in it.

Consists of the professional and personal papers of Professor Frederick Charles Pybus. This also includes papers regarding his rare books and manuscripts collection.