The collection consists of Herbert Loebl's business and personal records.

The business records contain group papers, sales and marketing files, finance files and general correspondence files for the following engineering and knowledge transfer enterprises with which Herbert Loebl was involved in his lifetime:

The collection also contains a number of annotated scrapbooks which trace the history of Loebl's engineering enterprises through photographs, newspaper cuttings and other ephemera.

Herbert Loebl's academic collection contains his early student notebooks from his degree studies in Electrical Engineering, and notes and source material for his subsequent doctoral thesis and Jewish history research. The collection also includes his certificates and various degree ceremony photographs.

Herbert Loebl received various awards during his lifetime and his personal collection includes photographs, newspaper clippings, scrapbooks, and letters of congratulations regarding his many honours.

Consists of: Correspondence of the Brown family during World War I. Photographs taken in France and England both during and after the war. Includes photographs of buildings damaged by bombing, memorials and graves, and reunion events after World War I. Maps covering areas of France, Germany and Austria, some of which show the position of trenches in World War I. Memorabilia relating to World War I including newspaper clippings, posters and documents. Publications including journals and comics published during World War I, as well as historical and creative works relating to, and published after, World War I.

Leonard Charles Evetts (1909-1997) was a designer and artist, and the Head of Design at Kings College Newcastle between 1963-1974 (now Newcastle University). Evetts is known primarily for working in stained glass, calligraphy and watercolour, although the full range of his design work was extensive, and included various more unusal commissions from milk cartons to ceremonial ornaments. His contribution to building and artefact conservation was also significant and within this remit he was Vice-Chairman of the Council for the Care of Churches, between 1972-81, and a member of Newcastle Diocesan Advisory Committee (on new installations and additions) for over fifty years. Over four hundred examples of his stained glass work exist in Britain, including his most ambitious work at St Nicholas, Bishopwearmouth, Sunderland comprising of forty-six individual windows.

This archive of Leonard Evetts' work, kindly transferred to Newcastle University Library by his widow in 2016, comprises largely of his commission project files. These files are of great research value, containing large scale colour designs as well as sketches and commission correspondence. They span hundreds of commissions which include paintings, the design and restoration of armorials, the design of ceremonial and religious objects, and the design and execution of over 300 stained glass windows in both religious and secular settings.

In addition, the collection also includes a smaller representation of other aspects of Leonard Evetts' work including some watercolours, lettering studies and some personal family items.

34 items. Includes letters from contemporaries of Williams, including letters sent in support of job applications. Also includes a number of photographs of Williams throughout her life, objects connected to the suffrage movement, and selected information about Williams collected after her death.

The Northumberland Handicrafts Guild was formed at a meeting held on 9th June 1900 and its aim was to promote the study of handicrafts in the County of Northumberland. There was a particular emphasis on embroidery, woodwork, basket work, leather work and weaving. Prominent members of the committee include Thomas Edward Hodgkin, Richard George Hatton, Ella Pease and Miss Noble.

This archive comprises of the annual reports of the organisation 1900 - 1936, together with a small collection of other constitutional and committee records. The collection includes also accounting material for the period 1930 - 1947 and press cuttings related to the activities of the Guild. Part of the archive is dedicated to mementos and the embroidery work of Margaret Scott, a member of the Guild in the early 1900s.

This collection comprises copied, and some original, photographs, papers and documents relating to the architect Robert Burns Dick (1868-1954) who had substantial influence in the north-east of England, particularly in the city of Newcastle upon Tyne.

The collection includes photographs of personal documents relating to land conveyance and partnerships with Cackett and Mackellar; architectural drawings and photographs of 'Millmount' and 'the Wedge', both designed by Burns Dick; and newspaper articles and other cuttings relating to him and his work. There is also material relating to an exhibition on Burns Dick held by the northern region of the Royal Institute of British Architects in 1984.

This is a collection of material brought together by, or relating to, local nineteenth century collectors John and Thomas Bell. There are four boxes relating to the local book trade, seven more relating to the Port of Tyne, and forty packets of cuttings, correspondence and other miscellaneous items which are useful for local history.

This collection of illustrations by local artist Thomas Hair (c.1810-1875) depicts the mining industry and the coal trade in the North East in the nineteenth century. The illustrations are based on Hair's watercolours on the same topic. The illustrations in the collection highlight numerous aspects of the region's mining heritage, including collieries, machinery, and river trade scenes. Many of the illustrations also show the everyday workings of the industry and those involved in it.

This is a small collection of material relating to the James Joicey (d. 1863) mining company, and its successor bodies, which operated several collieries in the West Durham coalfield including pits at Beamish and Tanfield. The material covers the period 1843-1929 and includes an invoice book, letter book, memoranda and copies of leases and plans, including a volume of copies of leases and plans of coal mines and cottages near or at Beamish.