- JG
- Archive Collection
- 1851
Consists of 42 prints made from James Gillray's original engravings and documents relating to Newcastle University's acquisition of the prints.
Gillray, James, 1757-1815, caricaturist
Consists of 42 prints made from James Gillray's original engravings and documents relating to Newcastle University's acquisition of the prints.
Gillray, James, 1757-1815, caricaturist
Includes material relating to the marketing, governance and individual performances of Northern Stage.
Northern Stage
Leonard Charles Evetts (1909-1997) was a designer and artist, and the Head of Design at Kings College Newcastle between 1963-1974 (now Newcastle University). Evetts is known primarily for working in stained glass, calligraphy and watercolour, although the full range of his design work was extensive, and included various more unusal commissions from milk cartons to ceremonial ornaments. His contribution to building and artefact conservation was also significant and within this remit he was Vice-Chairman of the Council for the Care of Churches, between 1972-81, and a member of Newcastle Diocesan Advisory Committee (on new installations and additions) for over fifty years. Over four hundred examples of his stained glass work exist in Britain, including his most ambitious work at St Nicholas, Bishopwearmouth, Sunderland comprising of forty-six individual windows.
This archive of Leonard Evetts' work, kindly transferred to Newcastle University Library by his widow in 2016, comprises largely of his commission project files. These files are of great research value, containing large scale colour designs as well as sketches and commission correspondence. They span hundreds of commissions which include paintings, the design and restoration of armorials, the design of ceremonial and religious objects, and the design and execution of over 300 stained glass windows in both religious and secular settings.
In addition, the collection also includes a smaller representation of other aspects of Leonard Evetts' work including some watercolours, lettering studies and some personal family items.
Evetts, Leonard Charles, 1909 - 1997, Designer and Artist.
Crawhall (Joseph II) Collection
The Crawhall Collection is a wonderfully-diverse and visual collection of material by and relating to local businessman, artist and patron of the arts, Joseph Crawhall II (1821-1896). The published book portion of this collection comprises of 23 volumes and includes chapbooks, such as Olde ffrendes with newe faces (1883), A Jubilee Thought (1887) and Old Aunt Elspa's ABC [1884].
Crawhall, Joseph, 1821-1896, wood-engraver and promoter of the arts
This collection comprises a large number of the musical manuscripts of the twentieth-century British composer David Barlow (1927-1975), formerly a lecturer in the Department of Music at Newcastle University, although it is not a complete collection of his works. The material comprises over 100 items which cover the musical genres of orchestral, opera, choral, songs, solo works, instrumental and chamber music, although some of the scores are incomplete. Barlow's musical influences included biblical and literary interests and the collection includes his church operas David and Bathsheba and Judas Iscariot as well as his children's opera The Selfish Giant. The collection also contains copies of many of Barlow's important works which are held at the British Music Information Centre, as well as some early manuscripts (mainly short works and sketches) and copies of recordings of Barlow's music and interviews, held on ten reel-to-reel tapes at present.
Barlow, David, 1927-1975, British composer.
Daguerreotypes were an early form of photography which did not permit reproduction therefore the images on the plates are unique. The daguerreoytypes in Special Collections have particular significance because among them are the first-known photographic images of Niagara Falls and the Clifton Hotel, taken in 1840 by metallurgical chemist and industrialist, Hugh Lee Pattinson (1796-1858) who was Gertrude Bell's great-grandfather.
There are also two daguerreotypes depicting Rome which are signed 'Lerebours'. The daguerreotypes have deteriorated: the plates exhibit signs of spotting, surface scratches, there are cracks in the glass and the plates have oxidised but they have been conserved and digitised.
Pattinson, Hugh Lee, 1796 - 1858, industrial chemist
Papers of Max Roberts Creative Director of Live Theatre from 1986 to 2017 include his personal collection of Live Theatre documents including play scripts, photographs, correspondence, papers related to the grow and development of the Theatre at their Quayside location, as well as a substantial collection of leaflets and posters from Live Theatre performances.
Live Theatre
Northumberland Handicrafts Guild Archive
The Northumberland Handicrafts Guild was formed at a meeting held on 9th June 1900 and its aim was to promote the study of handicrafts in the County of Northumberland. There was a particular emphasis on embroidery, woodwork, basket work, leather work and weaving. Prominent members of the committee include Thomas Edward Hodgkin, Richard George Hatton, Ella Pease and Miss Noble.
This archive comprises of the annual reports of the organisation 1900 - 1936, together with a small collection of other constitutional and committee records. The collection includes also accounting material for the period 1930 - 1947 and press cuttings related to the activities of the Guild. Part of the archive is dedicated to mementos and the embroidery work of Margaret Scott, a member of the Guild in the early 1900s.
Northumberland Handicrafts Guild
This is a small collection comprising 26 volumes of printed music and books about music, dating from the Eighteenth and early-Nineteenth Centuries, from the library of the late Hugh Vernon (d. 1975), including An account of the musical performances in Westminster-Abbey, and the Pantheon: May 26th, 27th, 29th; and June the 3d, and 5th, 1784. In commemoration of Handel by Charles Burney (1785) and the undated The Cuckoo: A Pastoral Ballad set by Mr Arne, Sung at Vauxhall by Mrs Weichsel [Mrs Frederika Weichsel is recorded as having performed at Vauxhall Gardens, London, and was reportedly a pupil of J.S. Bach].