Tuer writes about the terms of a volume Crawhall wants to publish. Tuer asks Crawhall to value his work and to give his thoughts on using varied texture paper in the printed book. Written from 50, Leadenhall Street, London.

Crawhall writes to suggest a price for the volume he wants to publish. He also discusses prospective titles for the work.

Tuer writes to propose terms for the publication of Crahwall's volume. He also asks for Crawhall's ideas upon selling price and the number of copies that should be printed initially. Written from 50, Leadenhall Street, London.

Tuer writes to discuss corrections for a volume Crawhall wishes to publish, and stresses the importance of keeping printing costs low. He also suggests a new material for binding the book, called 'Silk Morocco', and includes scraps of the fabric with the letter. Written from 50, Leadenhall Street, London.

Tuer writes to discuss the colouring Crawhall has put onto copies of the "Barkeshire Lady's Garland", and to discuss the paper and selling price of the final product. Written from 50, Leadenhall Street, London.

Tuer writes to thank Crawhall for the 'five little date blocks', and to discuss a paragraph on Bewick sent to the 'Athenaeum'. Written from 50, Leadenhall Street, London.

Tuer writes to ask Crawhall to name a price for the blocks which Tuer wishes to purchase. Written from 50, Leadenhall Street, London.

Tuer writes to ask Crawhall to draw up a prospectus for two of his recent publications. Written from 50, Leadenhall Street, London.

Tuer writes to discuss the potential of "Change for a Shilling", and to provide further details on the printing illustrations he has asked Crawhall to design. Written from 50, Leadenhall Street, London.

Tuer writes to inform Crawhall he has not received the "Poesies" blocks, and asks Crawhall to look into the matter incase they have been lost in the post. Written from 50, Leadenhall Street, London.