Tuer writes to discuss the potential of "Change for a Shilling", and to provide further details on the printing illustrations he has asked Crawhall to design. Written from 50, Leadenhall Street, London.

Tuer writes to discuss the search for Crawhall's 'old circulars' and blocks. Written from 50, Leadenhall Street, London.

Tuer writes to discuss plans to send a note to members of the Arts Association of Newcastle to inform them of the publication of Crawall's new book. Tuer includes a draft of the wording which he asks Crawhall to look over. Written from 50, Leadenhall Street, London.

Tuer writes to inform Crawhall he has not received the "Poesies" blocks, and asks Crawhall to look into the matter incase they have been lost in the post. Written from 50, Leadenhall Street, London.

Tuer writes to apologise for the two dirty copies of 'Chaplets' that had been sent to Mawson, Swan and Morgan. He also includes a copy of the note which was sent to Mawson, Swan and Morgan in connection with the dirty copies. Written from 50, Leadenhall Street, London.

Tuer writes to inform Crawhall he has received 'the boxes of blocks'. Written from 50, Leadenhall Street, London. Letter includes two rough pencil sketches.

Tuer writes about the terms of a volume Crawhall wants to publish. Tuer asks Crawhall to value his work and to give his thoughts on using varied texture paper in the printed book. Written from 50, Leadenhall Street, London.

Tuer writes to thank Crawhall for a Christmas card, and to enquire about the wood blocks he used to make it. He also comments upon the slow sales of Crawhall's book. Written from 50, Leadenhall Street, London.

Tuer writes to discuss the printing of the press opinions in relation to Crawhall's new book. Written from 50, Leadenhall Street, London.

Tuer writes to request payment for 'Chaplets'. Written from 50, Leadenhall Street, London.