Vasteras Railway Station, Sweden. New railway station and associated master plan. 1993-1995. Winning competition entry but not executed.

Terry Farrell and Company were invited to submit a competition proposal to design Vasteras’ main railway station in 1993. The central urban design concept was to address the fact that the town had been substantially cut off from the lakeside edge when the railway track had first been built. The station was therefore conceived as a bridge between the lake and the town as well as an access point to the train services. It was desirable to form links to pedestrian and bicycle routes, and create formal public spaces at street level as a new district around the station with a distinct identity. A pedestrian bridge route was to be integrated into the scheme to provide general public access at all times, linking the town centre and the Eastern Dock.

The most visually striking part of the station design was a curved glass arch 72 metres long and 13 metres high, resembling an ancient Viking helmet in silhouette, supported by a series of timber ribs reminiscent of the frames of Viking longboats.

Consists of four rough watercolour sketches of rabbits.

With programmes from the Newcastle Playhouse that gives personal notes on those involved in the production including Alan Plater and Sid Chaplin, introduces the company and cast, and a brief synopsis of scenes, Sunderland Drama Club with foreword by Alex Glasgow (who wrote the music), synopsis of scenes, and information about the play and players; Fortune Theatre (Bill Hays Production), Leeds Playhouse, Tyneside Theatre Company, Newcastle People's Theatre, Nottingham Playhouse and Royalty Theatre Sunderland.

a) Waterloo Bridge; (b) In Natopia and Natopia notes (2 booklets) and other notes; c) A Green Man Gone or Noon is No Time; d) Gone the quarter; e) The Inevitability of Christian Materialism; f) The ‘Confessio Fedei' of Dean Inge; g) Inspecting Spectes h) Peace in Wartime; i) Take…: The finding of …; Personal luggage; in the back manuscript: Rumbling in a Cuncil…; k) Taro (Eyes); (l) People's Theatre; m) Introductory: What constitutes a Proletariat; n) On Pesce Privios; o) Marriae as heaven; p) The man who couldn't lose; q) The problem of style – J. Middleton Murray, plus notes on J.M.M.; r) Reflection in the pool; profile: Buck Hammond, Bill Hammond, The food office bride; s) Three typescript with no name (one 10 pages, the second 9 pages, the third synopsis of 8 pages); t) Manuscript, no name, 5 sheets; u) Two sparsitems; v) Notes: 19 pages on various topics; w) Typescript: Four by Rayner Heppenstal

Consists of a variety of rough ink sketches. Includes illustrations of birds, a man hunting, a man fishing and a lady.

Large photographs from various Live Theatre performances including Do Not Go Gentle by Gaz Casey; See You Tomorrow by Andrea Prudhoe and Moving Family by Paul Charlton

Consists of a selection of small pencil sketches including a table, a shell, a horn and a squirrel.

Consists of various rough pencil and ink sketches including a dog, a cat, a man on horseback, a tree and a woman on a broomstick.