Consists of editorial correspondence regarding the publication, including editing, publicity, artwork and additional information.

Consists of correspondence between Neil Astley and Deryn-Rees Jones regarding the poet biographies within the publication and changes to made within the publication.

Consists of correspondence regarding the publication including book contract notice, discussions over editing and several examples of page proofs.

Includes correspondence relating to permissions, the purchase of cover art work and clean copy typescripts of individual poems.

Consists of correspondence between Neil Astley and the contributors, including postcards, notes about the publication, style sheets and collated typescripts.

Consists of correspondence regarding the publication including the original artwork (portraits of authors) for the publication painted by Anatol Bologan, photocopies of portraits by Mircea Dumitrescu, leaflets for the Belfast's Literary Festival, funding applications, corrected proofs, and translation work.

File of editorial correspondence relating to production. Includes correspondence between BBC North East and Michael Chaplin concerning the adaptation of the theatre play Hair in the Gate, drafts of the script for the radio play, and an agreement relating to the commissioning of the play.

File of editorial correspondence relating to production. Includes correspondence between BBC North East and Michael Chaplin concerning drafts of the script, and an agreement relating to the commissioning of the play.

Consists of editorial correspondence between John Agard and Neil Astley as well as a photocopy of illustrations by Satoshi Kitamura. Also includes a mock-up of the jacket cover for 'From the Devil's Pulpit' with annotations and highlights.

Consists of correspondence regarding the publication, particularly with the literary agent.