Consists of correspondence regarding the publication including different versions, contracts, cover art and rights management. A printout of the collection is also included.

Consists of correspondence regarding the publication including additional information, distribution, cover images and photographs.

Consists of correspondence regarding the publication including the initial submission letter, corrected proofs and an information sheet.

Consists of editorial correspondence regarding the publication including international rights information and payments.

Consists of correspondence regarding the collection including, discussion about proofs, reviews, cover art rights for reproduction, submission cover letter and notes (the title of the book was initially "Rumours of Guns"), a letter describing the Bloodaxe Books office move, advance payments, and general correspondence with the authors about their lives and different stages of the publication. There is also some unrelated material.

Consists of correspondence about the publication including publicity - readings, book contract, contents and in-depth letters regarding the publication.

Consists of correspondence regarding the publication including, author's photograph, rights information, and images for the publication.

"Consists of correspondence between Neil Astley and Noel Connor regarding publication images, collaboration with Maura Dooley and information regarding the grant for the publication. There is correspondence with Seamus Heaney regarding "Gravities". There are also letters to contributors informing them about the publication. There is a postcard included addressed from Noel Connor, a list of contributors, biographical notes, printout of poems, sale production information sheet, a fax transmission of the front and back covers from Peterson Printers and some print outs of illustrations with poems on the back of them. There is also a print setting estimate from Alden Press and Baker Brothers Litho Limited. Also, there is a photocopy of several poems annotated by Neil Astley regarding print setting and changes. "

Includes general correspondence as well as cover art work and permissions. Also includes letters relating to a rejected manuscript submitted by Herbert Lomas.

Consists of correspondence relating to the publication, including dropped poems from the collection, publicity information, there is also cross over with "Pencil Letter" and the translations for this book.