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Editorial Correspondence

Consists of correspondence regarding the publication, including artwork by Norman Cornish, photography by Moira Conway and photographs held at the Tyne and Wear Museums. Douglas Dunn has provided a review and George Charlton's correspondence discusses artwork and revisions.

Editorial Correspondence

Consists of editorial correspondence regarding the publication, including initial submissions, edited proofs and additional information.

Editorial correspondence

Includes letters relating to the pruchase of art work for the front cover, as well as postcards and a proof for a series of poems entitled 'Travels with my Tongue'.

Editorial Correspondence

Consists of correspondence from Selima Hill to Neil Astley, regarding the publication, including new poems, signed off front cover and Bloodaxe Books information sheet, and proof corrections.

Editorial Correspondence

Consists of typescripts of translated poems and correspondence from David Constantine and book contract. There are also letters sent by Bloodaxe regarding the cover image and author image.

Editorial Correspondence

Consists of information regarding, audio poems, reviews, publicity, some photocopied examples of work, jacket cover image, author information and photograph, typescript, and rights information.

Editorial Correspondence

Consists of correspondence regarding the publication, including cover art image, rights information, and design layout. There are also some proofs and typescript poems. Included is a letter John Hughes wrote to Neil regarding a new collection.

Editorial Correspondence

Consists of a of correspondence regarding the publication including, information on reprints, sales, submission from Literary Agent, Neil Astley's edits, cover image, book contract, and general corrections.

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