Consists of correspondence between Connie Bensley and Neil Astley regarding, book contract, specifically creating a selected volume, new poems, order of contents and invoice for copies.

Consists of correspondence regarding International rights, production, co-publishing agreements, artwork for cover image, Bloodaxe publication schedule, author's photograph, cover samples, notes on poems, author biography, author's proofs and book contract. Included in this file are example poems from Sara Berkeley's new collection and several letters regarding this between herself and Neil Astley.

Consists of correspondence between Neil Astley and Martin Booth, some of this relates to the publication, however a majority of the letters consider publishing, pamphlets that Bloodaxe Books has produced and literary reading events.

Consists of editorial correspondence between Neil Astley and George Charlton including cover artwork decisions and stocking of the publication. There is correspondence from Tate Gallery Publication regarding artwork application and reproduction for The Gallery of H.M.S Calcutta by the artist Tissot. There is a note from George Charlton regarding the blurb for the publication, where the blurb is attached with several poems. A postcard wishing George Charlton a happy birthday and two photographs in an envelope are also included.

Consists of correspondence between Harry Clifton, Andrew McAllister and Neil Astley regarding the cover artwork. Attached is an artwork advice note, several photocopied images and a colour map postcard to be used on the front cover. Also included is a chapter from the collection titled "Available Air: Irish Contemporary Poetry, 1975-1985". There is correspondence between Neil Astley and Harry Clifton regarding "Night Train Through the Brenner" which is not published by Bloodaxe.

Consists of correspondence from the Arts Council in New Zealand and the New Zealand Literary fund discussing applications for funding. There are several letters regarding the art involved with the publication, including letters to and from Gretchen Albrecht and Bluecoats in Liverpool. There are some of Gretchen Albrechts art leaflets and cover mock-ups. Letters to the Printers, Unwin Brothers are also attached.

Includes letters and psotcards of a general nature, as well as relating to the purchase of a photograph for the front cover.

Includes letters and postcards of a general nature, as well as relating to possible poems for inclusion in the collection, and the purchase of art work for the front cover.

Consists of correspondence regarding both "Poems of Z" and "The Stubborn Forest", including press, general correspondence, cover image and corrections. The original "Z" notebook is also available. Also included are other Paul Hyland material.

Consists of correspondence between David Higman associates and Neil Astley regarding the rights of the publication and previous Paul Hyland publications. Included is Bloodaxe Books LTD Contract No: 263. There is also correspondence between Neil Astley and Paul Hyland regarding poems to be included in the publication and cover artwork. There are photocopies of the publication blurb and a postcard from Neil Astley to Paul Hyland. Also included is a printout of a collection of poems sectioned with the title "The Next Bit" which has "old version" and a cross on the top right corner of several poems. This publication title was not published. In addition, there is a photocopied printout of several poems to be included in the publication.