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Editorial Correspondence

Consists of correspondence regarding the publication including book contract notice, discussions over editing and several examples of page proofs.

Editorial Correspondence

Consists of correspondence regarding the publication, including layout of photographs, exhibitions, postcards, copyright issues, contract and payments. Proofs of some photographs and typescripts of introductions written by Stephen Constantine are included.

Editorial Correspondence

Consists of correspondence regarding the publication, the rights for reproduction and artwork supplied by Carolyn Piggford. There are also photocopied newspaper reviews attached and a Live Theatre Company leaflet for "In Blackberry Time" - produced by Alan Plater and Michael Chaplin. There is also a selection of quotes, photocopied pictures of Sid with captions written by Michael Chaplin and a photocopy of "A Letter from Pancake Tuesday". There are several stories with setting information added. Also included is correspondence with David Higham Associates regarding a reprint which did not happen due to financial constraints.

Editorial Correspondence

Consists of correspondence between Ania Chevalier and Nansi Thirsk Bloodaxe's company secretary regarding the Book contract, which is attached. There is correspondence between H. J. Easterling, David Kelley and Neil Astley regarding David Kelley's translation, payment and corrections to be made. There is a list of errors and re-run information noted from Neil Astley to Ed Skelly.

Editorial Correspondence

Consists of correspondence regarding the publication including, updated poems, new poems, cover image (including possibilities), rights management for the cover, author's photograph and negatives, recommendations, updated contents and proofs which are not held within this file and discussions regarding a reprint. A Bloodaxe Books information sheet is included. Filed with this are "Translations of Gwenyth Lewis's Welsh Poems - Links, A Knot of Poems".

Editorial Correspondence

Consists of correspondence regarding the publication including, updated versions of poems, artwork and an edited introduction.

Editorial correspondence

Consists of several letters from Jill Maughan to Neil Astley and one from Neil Astley to Jill Maughan, regarding the publication. There are several typescript versions attached.

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