Consists of correspondence regarding the publication including an unsigned book contract, updated versions of the collection and contents reordering.

Consists of correspondence regarding the publication including, cover image, author photograph, corrected proofs, and copies sent out for review.

Consists of a correspondence regarding the publication process, there are several submissions of small amounts of new poems which have built up to make the full collection. There is also correspondence regarding the cover image and publicity work. The CD holds two word documents that are the blurb and collection and two JPEGS that are photographs of the author.

Consists of final typescripts and photocopies of the publication, with correspondence regarding this between Neil Astley and Stewart Conn. There are letters from well known Scottish poets which Stewart Conn has contacted regarding the publication. There is also a typescript titled "New Poems" which is part of "The Luncheon of the Boating Party". Neil Astley has contacted "The Late show" regarding the "The Luncheon of the Boating Party" publication.

Consists of correspondence between Graham Langton at Tate Gallery Publications and Neil Astley regarding the cover art image of "The Sleeping Fool" by Cecil Collins. Also attached is a photocopy of a reproduction application form, application to hire transparency form and regulations for reproduction.

Consists of correspondence regarding both Julia Copus' publications. This includes a sample of her work from 1994 titled "Pulling the Ivy".

Consists of correspondence regarding the publication including grant information, cover art, photographs of the author and the reprint.

Consists of correspondence relating to the publication including, rights information, payments, publicity and a selection of edited jackets and page proofs.

Consists of correspondence between Neil Astley and Ian Duhig regarding general correspondence and advice surrounding the collection and decisions surrounding its publication. Within the letters there are comical exchanges between Neil Astley and Ian Duhig whilst explaining decisions behind the collection. There is a more serious letter explaining to Ian Duhig that there was a slip-up with administration and that he did not receive the Poetry Book Society Recommendation. Included is a letter with a list of corrections to be made to a proof that was sent. There are several postcards regarding the dedication and acknowledgements. There is correspondence with Jane Lewis asking permission to use her artwork titled the "Singer" for the front cover and with Brendan Kennelly regarding the artwork.

Consists of correspondence regarding the publication, including decisions to publish, various editing decisions on poems, jacket cover mock-up and corrections. Also included is a letter regarding another submitted manuscript for "Baby".