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Editorial Correspondence

Consists of an edited collection with a cover letter, book contract notice, edited proofs and an invoice for the cover artwork.

Editorial Correspondence

Consists of correspondence regarding the publication including themes such as, original submission, collection concept, book contract, production information, sales, Project Theatre, other Bloodaxe publications and royalties.

Editorial Correspondence

Consists of editorial correspondence regarding the publication including a copy of the collection, this is also on a disc in PDF and a CD of Galway Kinnell reading "Strong is your Hold".

Editorial Correspondence

Consists of correspondence regarding the publication including cover art, additional information, publicity and payments. Included is a setting copy of the author's biographic information.

Editorial Correspondence

Consists of correspondence including book contract, corrections to the material, invitations to events (regarding the collection), and cover art.

Editorial Correspondence

Consists of correspondence relating to the publication, including dropped poems from the collection, publicity information, there is also cross over with "Pencil Letter" and the translations for this book.

Editorial Correspondence

Consists of correspondence about the publication including publicity - readings, book contract, contents and in-depth letters regarding the publication.

Editorial Correspondence

Consists of correspondence regarding the publication including, author's photograph, rights information, and images for the publication.

Editorial Correspondence

"Consists of correspondence between Neil Astley and Noel Connor regarding publication images, collaboration with Maura Dooley and information regarding the grant for the publication. There is correspondence with Seamus Heaney regarding "Gravities". There are also letters to contributors informing them about the publication. There is a postcard included addressed from Noel Connor, a list of contributors, biographical notes, printout of poems, sale production information sheet, a fax transmission of the front and back covers from Peterson Printers and some print outs of illustrations with poems on the back of them. There is also a print setting estimate from Alden Press and Baker Brothers Litho Limited. Also, there is a photocopy of several poems annotated by Neil Astley regarding print setting and changes. "

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