Consists of correspondence regarding the translations and particularly the comments by Irina Kuzminsky. Included in this is correspondence regarding David McDuff's translation of Tua Forsström's "Snow Leopard" BXB/1/1/FOT/1.

Consists of correspondence regarding the publication including additional information, distribution, cover images and photographs.

Consists of correspondence regarding the publication including the initial submission letter, corrected proofs and an information sheet.

Consists of editorial correspondence regarding the publication including international rights information and payments.

Consists of correspondence regarding the collection including, discussion about proofs, reviews, cover art rights for reproduction, submission cover letter and notes (the title of the book was initially "Rumours of Guns"), a letter describing the Bloodaxe Books office move, advance payments, and general correspondence with the authors about their lives and different stages of the publication. There is also some unrelated material.

Consists of correspondence between Douglas Dunn and Neil Astley regarding sending copies of the publication, publication reviews, discussing other poet's publications and recommendations, cover artwork and rights. They also discuss general correspondence surrounding "Ten North-East Poets". There is also general correspondence regarding the collection and decisions surrounding its publication. There is correpondence with Neil Astley and Piotr Sommer regarding Bloodaxe's publication program, difficulties it is encountering and the future of Bloodaxe. There is correspondence between Peter Davies and Neil Astley regarding the Northern Arts Travel Awards. Also included is a printout of a review titled "Plain Truths & Home Cooking" which talks about Douglas Dunn and a printout of several poems from the collection which is annotated by Neil Astley adding print setting information.

Consists of correspondence between Neil Astley and Lauris Edmond regarding publishing a UK edition of the collection and pricing.

Consists of correspondence between Neil Astley and Ruth Fainlight regarding the publication, there are also typescripts and proofs attached.

Consists of correspondence regarding the publication, including performances, press release, disk submission, proofs, discussion regarding cuts and changes, contract and a partial proof copy. There is also information regarding a performance of "The Harkening" with the No Limits Theatre Company.

Consists of publicity material, submitted work, cover image correspondence, jacket cover mock-up, Editorial comments from Neil Astley and a proof copy.