Consists of correspondence regarding the publication, including information on various chapters, cover image, a copy of "Incorrigibly Plural: Louis MacNiece & his legacy" edited by Fran Brearton and Edna Longley, photocopies of Fran Breaton's published work. There is also a rejection letter to Ruth Ling who submitted a similar criticism.

Includes general correspondence as well as correspondence relating to permissions, the purchase of cover art work.

Consists of a fax sent to Sean O'Brien from Andrew McAllister regarding referencing and Bloodaxe "in-house styles". This is accompanied by sections of printed chapters and proofs with some annotations and also a bibliography and chapters that are in envelopes labelled "Bill Swainson".

Includes letters relating to outsourced editing and proofreading services. Also includes correspondence relating to Sean O'Brien's contribution to Salisbury Poetry Festival, 1999.

Consists of correspondence sent out to potential readership and publicity.

Consists of correspondence regarding the publication including, press releases, exhibition work, sales and delivery, printing, re-printing, finances, and reviews.

Consists of correspondence regarding the publication, including letters from people praising the anthology, reviews, changes to the contents, examples of poems, poets recommendations for this anthology, such as Brendan Kennelly and rights management.

Consists of correspondence mainly including rights information and exchanges regarding this. There is also a proof attached with setting information.

Consists of correspondence, mainly between The Gallery Press and Bloodaxe Books focusing on production and distribution.

Consists of correspondence regarding the publication and a photocopied typescript used for setting.