Consists of letters regarding the publication, rights and artwork.

Consists of correspondence regarding the publication, including awards, future publications by Bloodaxe, the publishing schedule, requests for copies of the book, plagiarism, translation work, payment, cover image, proofs, acknowledgements, references, book contracts, readings and publicity. Also included are photocopies and typescript of published material.

Consists of correspondence between Neil Astley and Pauline Stainer regarding payment, ordering more copies of the publication, issues with printing, illustrations and cover artwork. Also included is a postcard wishing Neil a Happy Christmas with "The Carrier Pigeon" poem attached and photographs of Pauline Stainer within an envelope. There is also a provisional and a core contents page attached with alterations to each.

Consists of correspondence regarding the publication including book contract, artwork note, jacket cover proof, general correspondence and cut poems.

Consists of a photocopied typescript which has been annotated with setting instructions, and general correspondence regarding the publication. There are also photographs and negatives for the cover image.

Consists of correspondence regarding the publication including rights and reproduction information for the cover image, examples of these images and a proof of the jacket cover. There is an email exchange between Neil Astley and Caitríona O’Reilly regarding changes and publicity.

Consists of correspondence regarding the publication, including cover art, publicity and meetings. There are also several letters regarding an anthology of Irish Poets.

Consists of correspondence regarding draft material, cover art and publication.

Includes letters of a general nature a draft of the back cover blurb and suggested art work for the cover.

Consists of emails and letters between Neil Astley and Clare Pollard regarding the collection, there are also several additional poems that they discuss using in the publication.