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Editorial Correspondence

Consists of correspondence between Jane Griffiths and Neil Astley regarding the publication, this includes new poems, poems cut from the original printout, book contract, cover art and ordering.

Editorial Correspondence

Consists of correspondence regarding the publication including, previously published work, cover image rights and artwork examples, author's partial proof with corrections and a Bloodaxe Books information sheet.

Editorial Correspondence

Consists of correspondence regarding the book contract, cover image (held on CD TIFF format) and submission of the collection.

Editorial Correspondence

Consists of correspondence regarding translator's fee, negative image of cover art, reviews, advanced proofs, photocopies of previous publications and essays, author's photograph, book contract, and corrected proofs.

Editorial Correspondence

Consists of correspondence regarding publications from 1981 - 1994 including letters from reviewers, stockists, awards information, and between Tony Harrison and Neil Astley regarding royalties. Tony Harrison's biography is included with several examples of photocopied poetry, images used in "V" and transcribed interviews with Tony Harrison.

Editorial Correspondence

Consists of photocopied versions of the collection, author's photograph, correspondence regarding international copyright, production costs, book contract, publication schedule, and the book introduction.

Editorial correspondence

Includes drafts of individual poems, suggestions of art work for the front cover and letters of a general nature. Also contains editorial correspondence relating to Trembling Hearts in the Bodies of Dogs.

Editorial Correspondence

Consists of correspondence regarding the publication, in its early stages and finalising. There are several letters regarding licensing for anthologies and rights information for the front cover.

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