Tuer writes to discuss blocks, the colouring of Crawhall's drawings and remarks on the 'Montagu drawings'. Written from 50, Leadenhall Street, London.

Tuer writes to ask whether Crawhall knows of Robert White, a 'poet and local historian of Newcastle-upon-Tyne' with the 'choicest libraries of local stories, ballads, hornbooks etc. ever gathered together'. Written from 50, Leadenhall Street, London.

Tuer writes to inform Crawhall of his progress in researching Robert White. Written from 50, Leadenhall Street, London.

Tuer writes to remark on ExLibris plates he has sent to Crawhall, which he comments are 'not casts; they are the originals engraved on metal'. Written from 50, Leadenhall Street, London.

Tuer writes to thank Crawhall for sketches he has received, and to discuss work on hornbooks. Written from 50, Leadenhall Street, London.

Tuer writes to agree with Crawhall on the 'birch rod subject' in relation to a proposed illustration for work on a horn book. Written from 50, Leadenhall Street, London.

Tuer writes to inform Crawhall he has got into contact with Robert White sister who will allow him to view the hornbooks. Tuer also remarks on 'the prices in the Julia Boyd Sale'. Written from 50, Leadenhall Street, London.

Tuer writes to discuss a sketch by Crawhall and to thank him for his work. Written from 50, Leadenhall Street, London.

Tuer writes to discuss his work on horn books, and to request that Crawhall produce his sketches for the project again in pen and ink rather than wash. Written from 50, Leadenhall Street, London.

Tuer writes to enquire the history and value of engraves by Bewick which he has seen on a note on Bank of Economy. Written from 50, Leadenhall Street, London.