Consists of correspondence between Carline Sheldon and Neil Astley regarding the contract for 'We Brits' as well as a clean typescript photocopy of the collection.

Consists of a photocopy of both the book cover and dedication page for 'Man To Pan' (1982) and 'Limbo Dancer in Dark Glasses' (1983). Also includes correspondence between Bloodaxe and Kitamura, requesting a copy of 'From the Devil's Pulpit'.

Consists of a print out of the title page, synopsis and overview of John Agard's life and portfolio for 'From the Devil's Pulpit', a letter from Caroline Sheldon regarding the final signed contract for the collection and a manuscript letter from Agard to Astley regarding the layout of the poetry collection and the changes to be made. Also includes photocopies of the illustrations by Kitamura, with annotations.

Consists of one letter from Geoffrey Dutton to Neil Astley referring to not receiving a contract. The follow up letter then refers to Geoffrey Dutton having received and signed the contract as well as putting forward updated versions of selected poems from the publication which are attached. There are photocopies of selected poems with the note "Rev 10/89".

Includes photocopies of plans at 1:20/1:5 scale of sanitary fittings, joinery details and finishes to skirting, stairs, doors and windows.

Relating to the article: Building on all our yesterdays, The Independent, 02 October 1991.
File 1: planning file
File 2: response

Relating to:
'Manifesto for London' article, Architectural Review, September 2007.

I'm not sure if this feature went ahead to publication.