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Correspondence

Consists of correspondence regarding 'Clever Backbone' as well as an invoice for Kitamura's illustrations and design.

Correspondence

Consists of correspondence between John Agard and Neil Astley regarding the layout and changes to 'Alternative Anthem'.

Correspondence

Consists of two notes from Cheryl Follon and three versions of the Bloodaxe Books information sheets.

Correspondence

Consists of correspondence regarding the cover art image and book contract. Also included is a letter regarding a later collection "Here's the Thing".

Correspondence

Consists of email and letter correspondence between Neil Astley and Helen Ivory, this pre-dates this publication. However, Helen Ivory regularly indicates there are new poems. These poems are then discussed in a letter from Neil Astley.

Correspondence

Consists of letters and postcards to Neil Astley from Alistair Elliot regarding translation updates with attached notes. There is also a letter regarding the initial setting up of the agreement to publish this anthology. There are also letters from Neil Astley to Rod Wooden (Playwright) regarding play texts in relation to the publication and also the availability of Rod's flat. Neil writes to Hugh Shankland (Italian department, Durham University) regarding editing of translations.

Correspondence

Consists of correspondence regarding the anthology including letters to contributors regarding fees, there are also additional poems for consideration.

Correspondence

Consists of correspondence relating to rejected essays and also advanced copies of the publication for review.

Correspondence

Consists of correspondence between Neil Astley and Ake Persson regarding copyright and this publication. There is also correspondence between Brendan Kennelly and Neil Astley regarding the Ake Persson correspondence and the publication. Included is a bibliography of Brendan Kennelly works.

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