Consists of photocopies of poems published in The Guardian, some are loose and some are sectioned in to "in" and "out" categories using folded paper. There is a page from the newspaper from August 1990 which includes a poem. There is also a letter from the BBC South West [British Broadcasting Corporation], referring to the sectioned poems.

Consists of notes and photocopied publications.

Consists of signatures obtained to reproduce the letters sent to Neil Astley, reviews of Bloodaxe Books and some edited proofs of letters regarding layout.

Consists of revised poems, orderings and acknowledgements in printout form.

Consists of a style sheet and setting copy annotated typescripts, some of the typescripts consist of cut out poems stuck in place with adhesive. These are also sectioned using paperclips. There are partial proofs with annotations concerning print error and added notes, there are also some contributor proofs with editing. A clean copy proof is also placed with these items.

Consists of printouts with images and caption guides, there is also a letter from Kathleen Jamie to Neil Astley regarding the publication that has been left in the middle of these papers.

Consists of various printouts of the poems used within the publication, some are annotated and there is a note regarding typesetting.

Consists of photocopies of typescript and printed text. Some have correction annotations and handwritten pagination.

Consists of typescripts and annotated proofs, with revisions and corrections. There is correspondence between Geoffrey Dutton and Neil Astley regarding the publication. There are also attached articles, book reviews and literary criticism, for example Anne Stevenson reviewing Geoffrey Dutton. There is also correspondence with Design Group Computer graphics and Bryan Williamson: Photosetting & Artwork.

Consists of printed work and photocopies that have been annotated and used for setting.