Consists of some copies of text but also photographs and images.

Consists of typescripts and annotated proofs, with revisions and corrections. There is correspondence between Geoffrey Dutton and Neil Astley regarding the publication. There are also attached articles, book reviews and literary criticism, for example Anne Stevenson reviewing Geoffrey Dutton. There is also correspondence with Design Group Computer graphics and Bryan Williamson: Photosetting & Artwork.

Consists of photocopies of typescript and printed text. Some have correction annotations and handwritten pagination.

Consists of poems, printed and photocopied with an indication as to who worked on it and annotations with changes.

Consists of photocopied poems used for the program and some correspondence from the author.

Consists of photocopies, setting copies, correspondence with the printers, measurements for the publication and a full copy of the original submission.

Consists of partial proofs and proofs used as a setting copy. There are several notes from the author and typed pagination guides. There are also photocopies of some typescript.

Consists of two typed title pages , with corrections, a proof markings key, a photocopy of a photograph of Bill Naughton with his friend and a corrected page from chapter 6.

Consists of letters from Brendan Kennelly to Neil Astley regarding the publication, including edited versions of poems. There is a letter from Ake Persson to Neil Astley regarding undertaking a PhD on Brendan Kennelly's poetry. There is also a layout and pagination guide for the publication.

Consists of photocopies of original work, editor's notes, book contract, listed corrections and letters to Neil Astley regarding the collection.