Consists of a page proof that has been annotated by John Sears, there is also a cover letter attached to this and a list of corrections and changes.

Consists of a proof that has been annotated by Susan Wicks and focuses on corrections and added information, for example the dedication.

Consists of a page proof with annotations in graphite pencil and blue ink written by Simon Armitage. These mainly refer to correcting print error.

Consists of a page proof with illustrations. It is heavily annotated and also has added information, dedications and printed information enclosed.

Consists of page proofs annotated by Connie Bensley. There is also a cover letter attached with a list indicating where changes and corrections need to be done.

Consists of a page proof that has been annotated by Robyn Bolam regarding additional information, such as the epigraph and reordering. A letter is attached from Robyn Bolam to Neil Astley regarding corrections and changes.

Consists of a proof that has been annotated in red ink by Ann Sansom and possibly Neil Astley. There have been significant changes made to poems, removal of poems from the proof - indicated with crossing out and added printed sheets of new and amended poems.

Consists of a letter from Carole Satyamurti to Neil Astley regarding grammar, her biography, payments and the decision not to add a dedication or epigraph. The amended proof is attached with has annotations in red ink adding corrections.

Consists of a page proof copy with annotations by Matt Simpson in pencil.

Consists of a proof of the publication which is annotated in red ink focusing on print error but also adds a dedication. There is an extra sheet of paper pointing out specific errors referring to the pages and asks about the missing page 27.