Consists of fax from Tyne Tees TV, printouts and partial proofs. There is an introduction signed by Robert Mole (South East Wales Art) and also notes from Neil Astley.

Consists of various, photocopies, printed work, newspaper clippings and some proofs of different sections of the publication. These have annotations regarding setting and changes.

Consists of typescript of poetry, and the preface. There are photocopies of poetry, which have been annotated. Mock-ups of the cover and preliminaries have been drawn by hand. There is also a letter from Tony Curtis to Gordon Brown regarding his contribution to the anthology, and requesting a change to his biographical information.

Consists of printouts and photocopies of poems for the publication, there are notes from Judi Benson to Neil Astley regarding the poem that instructed the artist creating the book cover. There is also a letter from Judi Benson to Neil Astley regarding the book cover and also her food poetry publication.

Consists of photocopies of typescript and proofs. These are sometimes interspersed and there are notes where a new poem has been added or changes made.

Consists of typescript of contents and introduction, photocopied typescript of poems and photocopies of printed work.

Consists of typescript and photocopies sectioned in to authors that are within the anthology. There are annotations, particularly within the introduction. There is also a letter from William Scammell to Neil Astley regarding the publication.

Consists of a partial proof, photocopied work, and correspondence regarding the publication.

Consists of editorial correspondence regarding the publication, typescripts and some photocopied works.

Consists of various parts of the proof, including contents, notes about the poems chosen, biographical notes, notes from Tyne Tees Television Limited and a picture of Linda France.