Consists of signatures obtained to reproduce the letters sent to Neil Astley, reviews of Bloodaxe Books and some edited proofs of letters regarding layout.

Consists of revised poems, orderings and acknowledgements in printout form.

Consists of a style sheet and setting copy annotated typescripts, some of the typescripts consist of cut out poems stuck in place with adhesive. These are also sectioned using paperclips. There are partial proofs with annotations concerning print error and added notes, there are also some contributor proofs with editing. A clean copy proof is also placed with these items.

Consists of printouts with images and caption guides, there is also a letter from Kathleen Jamie to Neil Astley regarding the publication that has been left in the middle of these papers.

Consists of various printouts of the poems used within the publication, some are annotated and there is a note regarding typesetting.

Consists of photocopies of typescript and printed text. Some have correction annotations and handwritten pagination.

Consists of printed work and photocopies that have been annotated and used for setting.

Consists of fax from Tyne Tees TV, printouts and partial proofs. There is an introduction signed by Robert Mole (South East Wales Art) and also notes from Neil Astley.

Consists of various, photocopies, printed work, newspaper clippings and some proofs of different sections of the publication. These have annotations regarding setting and changes.

Consists of typescript of poetry, and the preface. There are photocopies of poetry, which have been annotated. Mock-ups of the cover and preliminaries have been drawn by hand. There is also a letter from Tony Curtis to Gordon Brown regarding his contribution to the anthology, and requesting a change to his biographical information.