Consists of draft biographical information, poems, with decisions to use and alter.

Consists of reviews, permissions letters, edited proofs, biographies of contributors and some correspondence.

Consists of reviews, permissions letters, edited proofs, biographies of contributors and some correspondence. There is a substantial amount of newspaper and magazine print.

Consists of page proofs, these span from 1993 - 1994, which are printed in the chapters of the books. These are annotated by Edna Longley and Neil Astley. There are also additional papers added, presumably by Edna Longley and correspondence from Edna Longley to Neil Astley regarding the publication.

Consists of typed and photocopied essays by Tom Paulin, some are annotated with corrections and changes.

Consists of printouts of chapters from contributors, there are covering letters or faxes and some annotations by various people.

Consists of various typescripts and photocopies with correction annotations. There are also typesetting corrections for "Ed".

Consists of photocopies of previous publications, edited typescript with names added and layout mark ups.

Consists of editorial correspondence between Neil Astley and the contributors - mainly regarding proofs and edits. There are proofs and typescripts within this with layout information and biographical notes. There is also a short publication by Sue Coe, Jacqueline Morreau and Marisa Rueda titled " Power Plays", published by the Bluecoat Gallery in Liverpool. This displays their art exhibitions.

Consists of various proofs of the publications with pagination guides, notes and information sheets. There is correspondence between Neil Astley and the authors, with photographs of the authors.