This collection is based around the personal diaries of Prof John Wight Duff, (1866-1944), at one time Professor of Classics at Armstrong College, and his wife Lizzie. This comprehensive run of diaries offers a fascinating insight into life in late 19th and early 20th Century Britain. The period covers both of the two World Wars and represents a period of social and political change within the UK. Within this collection there is also a small collection of associated correspondence, travel maps and documents, and family photographs.This collection is based around the personal diaries of Prof John Wight Duff, (1866-1944), at one time Professor of Classics at Armstrong College, and his wife Lizzie. This comprehensive run of diaries offers a fascinating insight into life in late 19th and early 20th Century Britain. The period covers both of the two World Wars and represents a period of social and political change within the UK. Within this collection there is also a small collection of associated correspondence, travel maps and documents, family photographs, and John Wight Duff's lecture notes on various classics subjects.

Consists of published and unpublished material covering Sir Liam's professional career and achievements as;

Regional Medical Officer, Regional General Manager and Regional Director of Public Health for the Northern Regional Health Authority (1986 - 1994);

Regional General Manager, Regional Director and Regional Director of Public Health for the Northern and Yorkshire Regional Health Authority and NHS Executive: Northern and Yorkshire (1994 -1998);

Chief Medical Officer for England, Department of Health (1998 - 2010).

The majority of material relates to his time as Chief Medical Officer, covering his major health and health care campaigns, including published reports and contextual material related to these reports.

Also includes photographs, papers, correspondence and other material relating to Sir Liam's personal life, awards and honours.

Consists of manuscripts, notes and correspondence relating to the adult mystery fiction published by Peter Dickinson.

The Daysh Papers include administrative material generated by the North East Industrial and Development Association, correspondence, cuttings, reports and papers covering such subjects as agriculture, production, development and employment. It includes Geological Survey of Great Britain Wartime pamphlets, Whitby Survey photographs, several reports on water resources and some material relating to the Far East, for example, a paper (with maps) on the History of railway enterprise in China.The collection also includes a draft article by Professor G.H.J. Daysh: The development of the university in relation to the development of the City, the North-East, and in some aspects, of the country as a whole. There are also many historic pamphlets, predominantly from the Eighteenth Century but also some printed in the Seventeenth and Nineteenth Centuries, such as An argument concerning the militia (1762) and several sermons. Although Professor Daysh (1901-1987) had been the Head of the Geography Department at Newcastle University (then King's College), the papers were given to the Library by Tyne and Wear Archives.

Daguerreotypes were an early form of photography which did not permit reproduction therefore the images on the plates are unique. The daguerreoytypes in Special Collections have particular significance because among them are the first-known photographic images of Niagara Falls and the Clifton Hotel, taken in 1840 by metallurgical chemist and industrialist, Hugh Lee Pattinson (1796-1858) who was Gertrude Bell's great-grandfather.

There are also two daguerreotypes depicting Rome which are signed 'Lerebours'. The daguerreotypes have deteriorated: the plates exhibit signs of spotting, surface scratches, there are cracks in the glass and the plates have oxidised but they have been conserved and digitised.

The Crawhall Collection is a wonderfully-diverse and visual collection of material by and relating to local businessman, artist and patron of the arts, Joseph Crawhall II (1821-1896). The published book portion of this collection comprises of 23 volumes and includes chapbooks, such as Olde ffrendes with newe faces (1883), A Jubilee Thought (1887) and Old Aunt Elspa's ABC [1884].

The Cowen Tracts are almost two thousand pamphlets which were formerly owned by local (radical) M.P., Joseph Cowen (1829-1900). The tracts date mostly from the mid- to late-Nineteenth Century and reflect Cowen's interest in the social, educational, political and economic issues of the day.

There is some earlier material, such as Deed of incorporation for the insurance of ships printed by T. Angus, St. Nicholas' Church-Yard, Newcastle (1778). Pamphlets were an effective form of public debate because they could be circulated to a wider audience than books and authors could remain anonymous. The Cowen Tracts discuss Irish politics, foreign policy, women's rights, religion, education and public health and include such titles as The Union programme for 1880: constructive, not destructive, Irish legislation [1879?], Are women fit for politics?: are politics fit for women [185-] and The education of the agricultural labourer: a paper read before the Morpeth Chamber of Agriculture, on Wednesday, Feb. 2, 1870 by M.W. Ridley (1870).

The papers of Jack Common (1900-1968) are a rich resource for those interested in the history of this talented Tyneside-born writer. They include published and unpublished typescripts and manuscripts of his work, including Kiddar's Luck, his fictionalised childhood autobiography, published in 1951. There are also Common's diaries, notebooks, research notes, news cuttings, correspondence and photographs.

The papers also include copies of articles and draft articles for his contribution to the socialist journals The Adelphi and New Britain. Correspondence to Jack Common includes letters from his friends George Orwell, E.M. Forster, Dorothy and Max Plowman, Richard and John Middleton Murry, Thomas McCullough and Connie Common, Jack's second wife. There is also correspondence from various publishers as well as from the BBC and Associated British Picture Corporation.

Eleven prints by Graham Clilverd - all of hospital buildings. Graham Clilverd (1883-1978) was a British architectural painter, engraver and etcher. Having studied in London at the Central Arts School, he first exhibited his art around 1906 and by 1910 his paintings were annually shown at such major institutions as the Royal Academy, the Royal Scottish Academy and at the Paris Salon. During the First World War, Graham Clilverd also served as a camouflage artist (1916-1918) and he is believed to have acted as a war artist in the Second World War. Clilverd's main passion was architectural art, and his output eventually earned him a Fellowship of the Royal Society of Arts. His extensive series of hospital prints dates from approximately 1950s.