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Annotated Proof

BXB/1/1/SIS/1/2
Item
09 Aug 1992

Part of Bloodaxe Books Archive

Proof with print error annotations and no front page.

Annotated proof

BXB/1/1/RAI/2/1
Item
1988

Part of Bloodaxe Books Archive

A proof with annotations focusing on print error and layout.

Annotated Proof

BXB/1/1/SCO/1/2
Item
1984

Part of Bloodaxe Books Archive

Annotated in red and blue ink and pencil regarding layout and print error.

Annotated proof

BXB/1/1/MAO/3/1
Item
1991

Part of Bloodaxe Books Archive

This proof is out of sequence and is annotated in red ink, mainly focusing on print error and layout error, there are also some corrections of words within the poems.

Annotated proofs

BXB/1/1/FOT/1/2
Item
1990

Part of Bloodaxe Books Archive

Consists of two copies of the proof which are annotated regarding layout and print error.

Annotated publishing agreement

BXB/1/2/SAU/9
Item
1994

Part of Bloodaxe Books Archive

Annotated radio scripts for programme Voice of the People

SC/7/11
File
1960 - 1961

Part of Chaplin (Sid) Archive

Sid's contributions include a review of Catherine Cookson's "Fenwick Houses", tatie picking week, a review of "A Wearside Mining Story", and a review of "The Singing Days". Annotations consist of corrections in blue ink.

Annotated reprint of Cancer and Atmospheric Pollution

FP/1/1/2/2/1/58
Item
1963

Part of Pybus (Professor Frederick) Archive

Reprinted from the Newcastle Medical Journal, this reprint has been annotated with new statistics and additional information. There is a note "reprinted from Medical Proceedings - Mediese Bydraes, Johannesburg, South Africa. It is unclear who has written the notes.

Annotated scrap of paper

CPT/4/1/16/1
Item
1913

Part of Trevelyan (Charles Philips) Archive

Annotation reads 'to the children, May - June 1913'

Annotated script for Oh What A Lovely War

LV/1/1/3/3
Item
1996

Part of Live Theatre Archive

Incomplete annotated script for the Live Theatre production Oh What a Lovely War, Tom and Pauline Hadaway were script consultants for the piece directed by Max Roberts. Includes a postcard photograph of a soldier

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