A collection of working drawings for stages of archiectural project. They are assumed to consist of tender and/or construction plans, sections and elevations with associated revisions. This file has not yet been catalogued at item level.

Alexandra Pavilion, Alexandra Park, Haringey, London (1980-1981). This project formed the basis for a temporary replacement for Alexandra Palace following a fire in 1980 which destroyed much of the Palace.

Construction was based on the Shelterspan system which was radically adapted. PVC-coated terylene panels are supported on a rigid structure of steel portal frames. The structure was designed to be demountable. Their stable double-curved form prevented wear and tear caused by flapping in the wind. The span of the structure was 118 feet, with external purlins and diagonal rod bracing to provide longitudinal stability. The cascading appearance of the building was derived from the internal organisation, consisting of a large clear-spanned hall and side aisles containing ancillary spaces. Internal climatic conditions are regulated by thermal insulation of the double fabric skin, fan assisted natural ventilation, and gas-powered heating ducted into the space through a functional 'cornice' around the perimeter of the enclosure.

89 slides over 23 wallets.

The slides consist of images of the model, setting drawings and historical context. There are also external images of the building façade, some of which have been duplicated. There are two slides in the file for labelled 'Liverpool' and 'Lime House Studio

Consists of 10 letters from Alfred Douglas Mason, Thomas Baker Brown's cousin, to the Brown family. Also consists of 3 letters from Alfred Douglas Mason's parents to the Brown family concerning the death of Alfred Douglas Mason.

Consists of publicity material, correspondence, reviews, a photograph, a jacket cover proof and original cover art work relating to the poetry collection The Magician's Assistant.

Consists of a black and white author's photograph of Alistair Elliot.

Scripts for Alan Plater's All Credit to the Lads, directed by Max Roberts with a programme from for the Crucible Theatre, Sheffield. One script is annotated with handwritten plans and a list with the location of the truck on stage and set design. Also includes a letter regarding the contract and budget for the performance and a photocopy of Henry Reed's poem 'Naming the Parts'

Includes scripts and scene outlines relating to All for One: The Adventures of the Musketeers; a long running series for television based on the characters created by Alexandre Dumas.