The Chorley Collection, presented by Sarah Chorley, comprises children's literature chiefly from the Nineteenth Century and first decades of the Twentieth Century. Highlights include Kate Greenaway's Almanack for 1884 (1883) R.M. Ballantyne's The Coral Island (1876) and The Giants and How to Fight Them (1904) by the Rev. Richard Newton. There are also several works by the highly influential children's book illustrator Randolph Caldecott (1846-1886).

The Butler Collection is a collection of children's literature which had been created by Mary Thwaite and further developed by Joan Butler, both librarians for Hertfordshire Library Services. It was jointly acquired by the Robinson Library and Seven Stories, the Centre for Children's Books.The collection includes eighteenth-century pamphlets and books such as Young, Rev. J. The perils of Paul Percival or the Young Adventurer (c.1841), Ballantyne, R.M. The gorilla hunters: a tale of the wilds of Africa (1897), Banks, A. Cheep and chatter or lessons from field and tree (1884) and works by such well-known children's writers as Hans Christian Andersen, J.M. Barrie, Frances Hogson Burnett, James Fenimore Cooper and Daniel Defoe as well as books illustrated by Randolph Caldecott.

The Burnett Collection of children's literature was presented by Professor Mark Burnett (Queen's University Belfast) and contains books and annuals which were mostly published in the early to mid-Twentieth Century. It includes such titles as: Timothy's quest (1900), The boy's adventure book (1935), The Flying Five and other stories of adventure and school life (1936), and Girl's fun annual (1952).

The Burman-Alnwick Collection was brought together by Dr. C.C. Burman and presented to Alnwick U.D.C. by his son, Joseph Burman, to later be deposited in the Library on long-term loan.It consists of books, pamphlets, broadsides and other material printed in Alnwick 1700-1917 and is chiefly a local history collection, containing such items as An address to 'the four and twenty' of the borough of Alnwick: on certain improvements in the plan of education, pursued in the borough school [1839], The Alnwick Mercury, Northumberland Advertiser, and entertaining miscellany (1854-1859), The Journal of the Northumberland Agricultural Society (1850) and the Alnwick Mechanics' Institute's Annual Report [18--]. It is also something of a literary collection, containing Alnwick printings of well-known tales such as The babes in the wood [18--] and The ballad of Chevy Chase (1800) as well as children's literature and educational tools like The child's battledore [c.1830], works by James Beattie and Thomas Percy and various chapbooks and ballads. Published sermons and letters also appear.

19th Century printed ephemera, much of which originates from North East England.

The Bradshaw-Bewick Collection contains works by and relating to the engraver Thomas Bewick (1753-1828). Bewick was born at Cherryburn, near Mickley, Northumberland and his early interest in drawing, under the tuition of the Reverend C. Gregson, was later developed when he was apprenticed under the Newcastle engraver, Ralph Beilby. He was to become a master craftsman.Bewick had a particular fascination with the natural world and this is reflected in works such as A general history of quadrupeds (1790) and History of British birds (1797). The collection is strong in Bewick's other main area of interest - morals and fables. His Select fables (1784) was immediately popular and ran into several editions but he worked on many small moral instruction books, such as Youth's instructive and entertaining story-teller (1778) and The looking-glass for the mind (1792).

The Bradshaw Collection contains books published 1601-1700 and is notable for its English Revolution, or Civil War, tracts, of which there are about sixty mostly describing local events, such as The Taking of Gateshead Hill: and blocking up of Newcastle … (1644), A Terrible and bloudy fight at Tinmouth Castle on Fryday last … (1648) and The King's declaration at Newcastle concerning his refusall to come to the parliament of England … (1647). Some of these are illustrated, often with wood-cut portraits.Other subjects represented in the collection include theology and some literature. Classical works, in Latin and Greek, by such authors as Catullus, Pliny, Virgil and Juvenal; Aristophanes, Dionysius and Euripides make up a large portion of the collection. The collection also has volume I of Edmund Gibson's English translation of William Camden's Britannia (1695), the first (Latin) edition of which had been the first comprehensive study of Britain.

In the 1970s, Book Trust (now Booktrust) and Arts Council Great Britain (now Arts Council England), recognising that Britain is a world leader in children’s publishing, worked with the nation’s publishers of children’s books to establish the Booktrust collection. The Booktrust collection was conceived and developed as an informal deposit library with children’s publishers agreeing to send books as they become available. The Collection has grown so that it now totals some 70,000 volumes, including new titles, reprints, existing books in new formats and books in translation.

In 2004 the Collection was transferred to Newcastle University’s Robinson Library (now the Philip Robinson Library). Bringing the Collection to Newcastle meant that it became part of the partnership between the University and Seven Stories: National Centre for Children’s Books (https://www.sevenstories.org.uk/).

This collection continues to grow thanks to the past and ongoing commitment and generosity of the UK publishing industry. Many publishers have been involved since the collection was created in the 1970s, and recent contributors include: Child's Play, Tate, O'Brien, Lantana and Macmillan.

Bloodaxe Books authors and books have won virtually every major literary award given to poetry, including the T.S. Elliot Prize, Pulitzer Prize and Nobel Prize. Bloodaxe is also known for its work with translated collections and American poetry, and have published responsively to cultural change in Britain, publishing some of the finest writers in the British-Caribbean and South-Asian diaspora. Another significant achievement is that Bloodaxe publish more female writers than any other British poetry publisher, at a 50:50 male:female ratio. This collection consists of the books published by Bloodaxe Books including poetry and prose.