- BXB/2/7/122
- Item
- c. 1991
Part of Bloodaxe Books Archive
Consists of a black and white author's photograph of Alistair Elliot.
Part of Bloodaxe Books Archive
Consists of a black and white author's photograph of Alistair Elliot.
Part of Live Theatre Archive
Scripts for Alan Plater's All Credit to the Lads, directed by Max Roberts with a programme from for the Crucible Theatre, Sheffield. One script is annotated with handwritten plans and a list with the location of the truck on stage and set design. Also includes a letter regarding the contract and budget for the performance and a photocopy of Henry Reed's poem 'Naming the Parts'
Part of Bloodaxe Books Archive
Consists of a black and white author's photograph of Amanda Dalton.
Part of Live Theatre Archive
Posters for the Amber Films productions the Quayside, The Filleting Machine and Bowes Line
Part of Bloodaxe Books Archive
Consists of printouts of poems and a letter from Joanne Limburg to Neil Astley regarding these changes.
Part of Chaplin (Michael) Archive
Typescript including cover page and featuring annotations in blue and black pen.
American paperwork and correspondence
Part of Live Theatre Archive
Papers relating to Max Roberts' application to the US government for status as a non-immigrant worker, and a contract for his work with MTC (including details of the fee, etc.). Also includes personal email correspondence between Roberts and MTC. Includes some paperwork for the transfer of The Pitman Painters to Manhattan Theatre Club, New York
Part of Live Theatre Archive
Programmes for American theatres, some advertising Billy Elliott
Part of Bloodaxe Books Archive
Consists of a letter from Robin Fulton, regarding his translation of "The Great Enigma New Collected Poems" written originally Swedish by Tomas Tranströmer and published by New Directions.