Consists of typescripts and photocopies of the essays, there are also added preliminaries and annotations, with corrections and additional information.

Consists of parts of typescript that have been cut up and stuck to "Northumberland Theatre Company" headed paper. These cut outs include poetry and artwork notes. The typescript is annotated in red ink by Neil Astley, indicating layout and style features. There are also several sections of white correction fluid used for editing.

Consists of a typescript with preliminaries added and used as a setting copy.

Consists of photocopies of typescripts. These are heavily annotated in different hands, regarding layout, changing and adding words. There are several parts that are attached with staples and adhesive tape. The pages are paginated by hand.

Consists of a typescript with annotations in red and green ink and some white correction fluid. The red ink seems to be Neil Astley offering suggestions and corrections and the green ink Paul Hyland responding to this.

Consists of a typescript of the publication that has been annotated as a setting copy by Neil Astley in red ink. There are also some other suggestions in black ink and changing of sections. There is a note accompanying this from Jenny Joseph.

Consists of a combination of typescript, photocopy and printout stapled to green card. These are paginated by hand and annotated focused on layout decisions.

Consists of a typescript of "Not quite Buster Keaton", this copy is edited and has had the title changed by stapling card on top of the original typing. There are corrections and crossing out.

Consists of a corrected typescript of the section "Ektachrome" with added sections and stapled amendments.

Consists of photocopies of a typescript, these are split into four sections and stapled. Each section has a title page. The first title page indicates that the title and the publication would originally have been "Come Down Nansi".