With programmes from the Newcastle Playhouse that gives personal notes on those involved in the production including Alan Plater and Sid Chaplin, introduces the company and cast, and a brief synopsis of scenes, Sunderland Drama Club with foreword by Alex Glasgow (who wrote the music), synopsis of scenes, and information about the play and players; Fortune Theatre (Bill Hays Production), Leeds Playhouse, Tyneside Theatre Company, Newcastle People's Theatre, Nottingham Playhouse and Royalty Theatre Sunderland.

a) Waterloo Bridge; (b) In Natopia and Natopia notes (2 booklets) and other notes; c) A Green Man Gone or Noon is No Time; d) Gone the quarter; e) The Inevitability of Christian Materialism; f) The ‘Confessio Fedei' of Dean Inge; g) Inspecting Spectes h) Peace in Wartime; i) Take…: The finding of …; Personal luggage; in the back manuscript: Rumbling in a Cuncil…; k) Taro (Eyes); (l) People's Theatre; m) Introductory: What constitutes a Proletariat; n) On Pesce Privios; o) Marriae as heaven; p) The man who couldn't lose; q) The problem of style – J. Middleton Murray, plus notes on J.M.M.; r) Reflection in the pool; profile: Buck Hammond, Bill Hammond, The food office bride; s) Three typescript with no name (one 10 pages, the second 9 pages, the third synopsis of 8 pages); t) Manuscript, no name, 5 sheets; u) Two sparsitems; v) Notes: 19 pages on various topics; w) Typescript: Four by Rayner Heppenstal

Graphs mostly related to waves and water displacement in relation to shipping.

Including a photograph of Lesbian and Gay Pride 87, a book on 'Using the Media' and CHE leaflet on newspapers.

Various draft typescripts of 'Orwell at Wallington'. 1 dated 2/4/1940. 9 sheets of ms. on Orwell. (Published in Strand, vol. 22, no. 3, June 1981.)

Includes correspondence with BBC, BBC Scotland and AP Watt Literary Agents, as well as Michael Chaplin's draft outgoing letters. Correspondence concerns Michael Chaplin's proposals for adaptations of Hair in the Gate both as a televised production and for the radio.

Includes cards from Rosemary and John Peace, Roseen and Andrew Freeth, Jane and Fred Reed, Sarah and Norman Cornish, and Lucy and Jack Richards. With signed postcard from 'highly acclaimed' unidentified Greek artist.

For Tyne Tees Television. Includes ideas for various scenes and episodes including Family Matters, Me Grandma, Jimmy at the bus stop, The Worker, The Gambler, and The Baby-Sitter. Annotations consist of changes and corrections in blue ink and pencil. Includes copies of Private Eye April and May 1970 that were possibly used for research purposes.