Consists of proofs, and printed sections of the publication which are annotated and edited.

Consists of various duplicated printouts of written sections of this publication, some photocopies of photographs and manuscript versions of sections. There are mock-ups of the front cover and some proofs. There is also a contract between Bloodaxe Books and Jimmy Forsyth and letters between the printers, Neil Astley, John Berger and Ian Jeffrey.

Consists of some copies of text but also photographs and images.

Consists of printed work and photocopies that have been annotated and used for setting.

Consists of fax from Tyne Tees TV, printouts and partial proofs. There is an introduction signed by Robert Mole (South East Wales Art) and also notes from Neil Astley.

Consists of photocopies of typescript and printed text. Some have correction annotations and handwritten pagination.

Consists of typescripts and annotated proofs, with revisions and corrections. There is correspondence between Geoffrey Dutton and Neil Astley regarding the publication. There are also attached articles, book reviews and literary criticism, for example Anne Stevenson reviewing Geoffrey Dutton. There is also correspondence with Design Group Computer graphics and Bryan Williamson: Photosetting & Artwork.

Consists of typescript of contents and introduction, photocopied typescript of poems and photocopies of printed work.

Consists of correspondence from Philip Levine regarding the publication, a Book Contact Notice, photocopied poems and a selection of proofs.

Consists of various different edits - printout and photocopies of poems for the publications, notes on these and correspondence regarding its formation.