Consists of editorial correspondence between Neil Astley and the contributors - mainly regarding proofs and edits. There are proofs and typescripts within this with layout information and biographical notes. There is also a short publication by Sue Coe, Jacqueline Morreau and Marisa Rueda titled " Power Plays", published by the Bluecoat Gallery in Liverpool. This displays their art exhibitions.

Consists of proofs, printouts and photocopies of typescript. The only pages to be edited are the prints of the introduction with the note "17/3/95 version", this is annotated with corrections, suggestions and added information. There is a letter from Jill Lewis to Neil Astley regarding her set of proofs.

Consists of corrected proof pages and photocopies of original French text with English translations.

Consists of work that has been used for this publication.

Consists of various annotated proofs.

Consists of several different versions of the contents, partial page proofs that have been corrected - mainly preliminaries and correspondence between Carol Rumens and Neil Astley regarding this.

Consists of information sheets, jacket cover proof with corrections and some correspondence regarding corrected proofs which are not available.

Consists of various proofs of the publications with pagination guides, notes and information sheets. There is correspondence between Neil Astley and the authors, with photographs of the authors.

Consists of typescript preliminaries and poems in photocopies, there are also photocopies of publications. The poems tend to be grouped by poet and there are annotations suggesting this a setting copy but there are extra notes. There are sequencing issues and duplication of contents and acknowledgements.

Consists of partial proofs, typescript used as setting copies, correspondence regarding the catalogue and rights management.