This consists of typescript translations and copies of the original Italian text. These are annotated in red ink focusing on layout and style features. The contents section is at the back instead of at the front. The front page is annotated in black ink dictating the layout and style of the front cover.

Consists of typescripts of other publications by Ken Smith, with preliminaries. The poems are photocopies of typescript. All the material is annotated in brown ink regarding the layout and style features. This item was originally packaged with items from BXB/1/1/SMK/4/1-2.

Consists of the typescript of the collection with added images.

Consists of typescripts at different stages with correction sheets. There are several letters from Helen Dunmore to Neil Astley regarding the publication but also personal matters such as moving house. In one letter, she also refers to a review for "No I am not afraid" by Irina Ratushinskaya. There are letters from Neil Astley to Helen Dunmore regarding the publication and letters to Marina Warner regarding readership. Neil Astley also writes to the Design Group Computergraphics regarding artwork. There is also a black and white photograph of Helen Dunmore.

Consists of typescript of translated poems and letters from David McDuff to Neil Astley regarding the translations.

Consists of typescript and photocopies of typescript these are annotated in red and black ink, these mainly focus on layout and printing. There are some pages with edits using white correction fluid.

Consists of a typescript, a copy of Tristan Crazy and a photocopy used for setting the selected poems for this publication. Preliminaries have also been added to this.

Consists of a typescript used for setting with a note from Neil Astley to Janet, regarding the setting.

Consists of a typescript with annotations by Neil Astley in red ink regarding layout and style.

Consists of a typescript annotated by Neil Astley in red ink with setting instructions.