A mixed collection of performance descriptions, programming, advertisements and press cuttings for visual arts performances. Files 1-5 include but are not limited to performances within the Spectro Arts workshop series. File 6 includes a small collection of photographs for Fiona Templeton 'Thought/Death' performance and artist profiles on 'Sylvia Ziranek'.

A collection of project documentation for 'One Piece at a Time,' by Richard Wilson as part of the national TSWA 3D festival. File 1 contains negatives, photographs and technical plan drawings.File 2 predominantly contains press articles and proposal programming. File 3 contains project correspondence. Project Details: 'One Piece at a Time,' a site specific installation in one of the towers of the Tyne Bridge in Gateshead, Tyne and Wear. 1200 individual car parts were suspended within the tower and cut down over a five week period with accompanying audio.

Contains proposals for artistic projects arounf Grizedale Woods, Cumbria, along with artist profile for Alistair Maclennan.

A collection of artist schedules and performance proposals, press cuttings and planning correspondence for the Edge 1988 Festival of Experimental Art. Edge 1988 was initially performed in London and toured throughout the UK.

A collection of proposal descriptions and correspondence for 'Cenotaph: Class of Rulers,' project by Stuart Brisley. Also includes accompanying draft installation text. Project details: a site specific installation of a small scale Cenitaph in St Cuthberts village, Gateshead.

A collection of artist proposal correspondence, budget, scheduling, advertising and planning documents for the Edge Festival for Contemporary Visual Arts.

File contains broject brief and introductory correspondence. Project Details: A site specific environmental installation on a cargo ship for the 1988 Garden Festival, Gateshead.

A small collection of correspondence relating to co-editing a performance issue of Video Guide, proposals for The Japan Festival 1991, a proposal for 'Parallels,' a photographic exploration of change in the north-east region of the UK.

Report for the British Council by Projects UK

Planning file for the Tyne International Festival, a collaboration between The National Garden Fetsival, Gateshead, Tyne and Wear Museum Services and the Arts Council. Includes project information for Antonio Muntadas site specific work titled 'Home - where is the Home?' - a pre-fabcricated structure with sound installation as part of the festival.

Contains press cuttings and promotional material for the proposed 'Paper Boat' project to be installed on the Tyne river. It is unclear if this project went forwards in this location.

Planning, press release and advertisement documents, along with artists correspondence for the 'Mondo Faxo Project,' - Also titled Wall Lords of the 20th Century. Projct details: Faxo Mondo was a faxed international exchange project occuring between 10-24 October 1989.

Variant Video script and planning correspondence. Project Details: Variant video was aimed to be produced as the counterpart to radical magazine 'Variant.'

A mixed collection of correspondence consisting of proposals for installation pieces, grant funding and publication of articles in 'Video Guide.' Includes review pieces of 'Scenes,' by Peter Zegveld.

Artists proposal and funding documents for 'Festival of the Five Senses.' Also includes Application for financial assistance and artist proposals for 'Another Way of Seeing,' based in Hexham, Northumberland.

A small collection of project proposal and diagram consisting of a site specific audio visual installation using scenes of the natural world for audience comparison. Location: Great North Museum (Hancock), 25th September - 01 October 1989.

A small collection of delivery notices and correspondence concerning the Futureland exhibition. This includes correspondence and photocopied maps concerning the project 'Phantom National Park.' There is also an artist profile on Mark Pauline.

A mixed collection of project material for specific installations around Newcastle-upon-Tyne as part of the TWSA festival, September - October 1990. The file is divided into three parts. Two files are prdominantly concerned with Chris Burden's H.M.S Cavalier project consisting of technical general arranagement drawings and correpsondence. There is also a small amount of general TWSA budget and scheduling correspondence. The third part consists of design and planning correspondence for the work of Mona Hatoum. Project Details: Stefan Gec; High Level Bridge - reformation of soviet submarine material into a series of bells.Mona Hatoum: Victora Tunnel, Byker - situated electrified chair.Chris Burden - Hebburn, creation of revised H.M.S Cavalier model, to coincide with the reopening of the ship. Jana Sterbak; Northumberland Street - illuminated light boxes.

A small and fragile collection of budget and logistics documents and associated introductory correspondence about arranging a site specific installation along the Quayside, Newcastle-upon-Tyne.

A collection of correspondence about grant funding, the Japan Festival 1990 and appearance on BBC - 'Look North.'

Project file for Locus+ – Artists Projects 1991–1999. The file contains correspondence, planning and finance documents, information on the artists, contracts, and photographs.

Project file for a proposed publication: Guillermo Gomez-Pena – selected writings and poems. The file contains four copies of a proposed publication of a collection of selected writings and poems by Gomez-Pena.

Project file for publishing company Astro Artz in relating to three publication proposals – Second Reality, Sin Frontera, and Gomez-Pena collection. The file contains planning documents for all three projects, correspondence, and artist profiles.Project Details:Second Reality: A proposed exhibition showcase of up to 60 artists working within the categories of environment, politics, religion, art, ready-made, identify, science and technology, economy; Sin Frontera a project to bring artists of the Chicano arts movement to Britain. Comez-Pena collection relates to proposals for the publication of collected texts and essays by Guillermo Gomez-Pena by the 18th Street Arts Complex.

Project file for a Newcastle Comedy Festival 1993 Film: Boris McGooligan Films – Died Laughing. The file contains project correspondence with the film company, festival organisers and funding body, finance documents and contracts.

Project file for the installation: Lloyd Gibson – Crash Subjectivity. The file contains correspondence with the artist, suppliers and collaborators, publicity materials, reviews and proofs, and finance and site inspection documents.Project Details:Installation of a life-size glass fibre hermaphrodite sculpture in All-Saints Church, Newcastle-upon-Tyne. The sculpture was also installed at Carlisle Memorial Centre, Belfast and the Institute of Technology, Dublin.

Project file for the exhibition: Mark Wallinger – A Real Work of Art. The file contains correspondence with the artist, horse trainer, and collaborators, publicity material, newspaper articles and proofs, and finance documents.Project Details:Mark Wallinger bought a racehorse which ran a single race on 26th September 1994. The project was to challenge the idea of 'readymades,' in art and demonstrate that living objects outside of a gallery setting could also be art. Wallinger also sold objects related to the horse, such as hoofprints and vets bills. A series of 50 statuettes of the horse and jockey were also created and exhibited globally.

Project file for Vincent Trasov and Michael Morris and the Morris/Trasov Archive. The file contains information on the archive, the artists, and promotional materials. Also includes project ephemera for 'Hand of the Spirit,' and exhibition of archive material from the 1970's. Hand of the Spirit was displayed at UBC Fine Arts Gallery Vancouver, Canada, 30 October - 28 November 1992.

Project file for Philip Napier. The file contains a proposal for a Newcastle-based site-specific installation - a collaboration with Flaxart Studios.

Project file for the British/Canadian Performance Art Exchange 1993. The file contains correspondence and proposals from artists, finance documentation and promotional materials.Project Details:Proposed exchange of artists from Britain and Canada, 1996.

Project file for a broadcast television programme: Pat Naldi and Wendy Kirkup – Search. The file contains project correspondence with the artists, printers and broadcasters, publicity materials and proofs, and finance documents.Project Details:A television specific performance piece. The project consisted of twenty ten second sequences during commercial breaks. The sequences comprised the artists taking synchronised walks in two separate locations of the city centre. These walks were recorded by the city's surveillance systems. It was broadcast on Tyne Tees Television and ran from 21st June to 04th July as part of the Tyne International Festival in 1993.

Project file for the exhibition: Lani Maestro, Henry Tsang, Paul Wong and Sharen Yuen – Feng Shui. The file contains planning and finance documents, correspondence with collborators, newspaper articles, and photographs and promotional materials.Project Details: A audio-visual site specific sound and photographic installation with different artists crating performances that align with feng shui principles. Dates and Location: All Saints Church, Newcastle-upon-Tyne, 27 August - 03 September 1993.

Project file for Louise Wilson – The Museum of Accidents. The file contains correspondence with the artists and promotional materials.Project Details:Site-specific installation using flight simulation.Date and location:August 1993: Great Hall, Museum of Science and Engineering, Newcastle-upon-Tyne

Project file for Mark Haywood – The City Museum of Art and Design. The file contains planning documents, photographs, and promotional materials.Project Details:Site-specific installations of four sculptures across the city of Newcastle upon Tyne.

Project file for Locus+ – ANNPAC/RACA Membership and "It's a Cultural Thing" Conference. The file contains correspondence, information on ANNPAC/RACA, promotional materials, and planning documents. Also included is an issue of Parallelogramme Contemporary Art Magazine, Volume 19/1, 1993.

Project file for an image and text project: Sheila Spence and Noreen Stevens – Average Good Looks. The file contains project correspondence with the artists, publicity materials and newspaper articles, and contracts.Project Details:An image and text project initially intended as a series of billboards mounted in Winnipeg condeming homophobia in Canada. Dates: February - August 1993.

Project file for the publication and exhibition: Martha Fleming – Veronica. The file contains correspondence with the artist and finance documents.Project Details:An artist's book, cassette, and woodblock exhibition. Project planned 1994, but did not go ahead

Project file for The Laboratory – Raiding the Voicebox. The file contains correspondence and planning documents. Also included are remarks about another project, Stefan Gec – Buoy.Project Details:The Laboratory was a department at Oxford University for the promotion of research in the visual arts. The department proposed to create an anthology of writings by British artists.

Project file for Barbara Bloom – The Labyrinth. The file contains correspondence, planning and finance documents, and promotional materials for the artist.Project Details:A prospective maze to be planted. This projective never came to fruition due to to an accident suffered by the artist.

Projejct file for John Newling – Skeleton. The file contains correspondence, planning and financial documents, proofs and the finished Skeleton publication, slides, photographs and negatives, and floppy disks.Project Details:A site-specific installation consisting of communion wafer templates stacked within church pews. Installation took place at All Saints Church, Newcastle-upon-Tyne, 1994.

Project file for the CD release: Andre Stitt and Daniel Biry – Working on the Bypass. The file contains correspondence with the artist and collaborators, finance and contractual documents, and promotional materials.Project Details:A CD containing a collection of performance texts.

Project file for the exhibition: Nhan Nguyen – Temple of My Familiar. The file contains planning and promotional materials, finance and contractual documentation, photographs and negatives, and correspondence between collaborators.Project Details: The installation of a 32 metre mural depicting events in the artist's life in Vietnamese and Buddhist iconography. Installed at Flax Art Studios, Belfast, 1994.

Project file for Don Belton – Populuxe. The file contains correspondence, planning documents, contacts, and promotional materials.Project Details:A live performance piece in conjunction with Catalyst Arts, Belfast, consisting of audio-visual monologue incorporating pre-recorded sound and projected images. Date and location:March 1995: Newcastle-upon-Tyne

Project file for Daniel J. Martinez – How to Con a Capitalist. The file contains correspondence and planning documents.Project Details:A live performance piece in conjunction with Catalyst Arts, Belfast, in which the artist mimicked street-sellers.Date and location:March 1995: Newcastle and Belfast

A file of project material and correspondence concerning work of visual artist - Dorothy Cross. Items include engineering feasibility studies for 'Hold,', articles about 'Chaism', photographs of 'Ghost Ship'.

Project file for Stefan Gec – Natural History. The file contains correspondence with collaborators, planning and finance documents, photographs and negatives, and contracts.Project Details:A site-specific installation of photographs displayed on rooftop of Pilgrim Street firestation during April-May 1995. This installation was also repeated at SAW Gallery, Ottawa, Canada October-Novembeer 1996 and Oseredok Ukrainian Cultural Centre, Winnipeg, Canada April-October 1998.

Project file for Alan Moore, David J & Tim Perkins – The Birth Caul. The file contains correspondence, planning documents, contracts, promotional materials, and finance documents and a tape. Also included are planning documents for Light Of Thy Countenance publication.Project details: A performance monologue at the disused County Hall, Newcastle-upon-Tyne.

Project file for a city tour and performance at Durham Cathedral: Ian Breakwell – Hidden Cities. The file contains project correspondence with the artist, event space and collaborators, publicity materials, script proofs and photographs The file also includes a performance of the final chapter of Kafka's, The Trial in Durham Cathedral. Also included is potential tour details of Stefab Gec: Buoy.

Project file for the performance: Mary Duffy – Stories Of My Body. The file contains project correspondence with the artist and Carlisle City Council Arts Unit, newspaper reviews, and a photograph.Project Details:A performance of a monologue by Duffy.

Project file for the international exhibit by Locus+ – New Art from the North of England. The file contains correspondence with the US collaborating bodies, planning documents and proofs, and finance documentation.Project Details:An international exhibition at King Plow Arts Centre, Atlanta hosting works by artists from The Newcastle Group. The exhibition was designed to coincide with the 1996 Olympics.

Project file for John Adams and David Rheinhart – Locus+ Website. The file contains correspondence, planning, and financial documents.Project Details:Development of the Locus+ website.

Project file for Cornelia Hesse-Honegger – The Future's Mirror, and Nach Chernobyl. The file contains information on the artist, correspondence, planning and finance documents, contracts, promotional materials, and a compact disc. Project File: 'The Future's Mirror and Nach Chernobyl' consisted of an exhibition of paintings and subsequent publication about the effects human created nuclear events on the natural world.

Project file for the 1996 Year of Visual Arts. The file contains information on the artists, correspondence with artists and collaborators, and finance and planning documents. Some of the projects in this file include Paul Bradley – The Last of England, Unknown Artist - Victoria Tunnel and Ouseburn Calvert, Unknown Artist - Vade Mecum, Ian Breakwell - Bellring, Lawrence Paul Yuxwelupten and Glenn Alteen - Grunt, BANK Artists Group - Against Architecture.

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Project file for Mark Pauline – Public Art Machine. The file contains correspondence with the artist. Also included is a booklet advertising a call for applications for the John Dobson Street Ideas Competition.Project Details:A proposal, for a mechanical installation which would survey a crowd over time. It is unclear if this roject was realised.

Project file for Locus+ 93–96. The file contains planning documents, photographs, floppy disks, and the finished "Locus+ 93–96" booklet.Project Details:A publication documenting Locus+ work from 1993 through 1996.

Project file for Gregory Green, containing a number of materials. The file contains information on the artist, images slides, magazines, newspaper clippings, promotional materials, and contracts.Project details include incendiary sculptures such as: The Gregnik Satellite, Cabinet, Crime Lab Division, Suitcase Bomb, Bible Bomb, Book Bomb, Time Bomb.

Project file for Black Dog Publishing. The file contains planning documents for a number of collaborative projects, correspondence, finance documents, photographs, and proofs.Project Details:A collection of documents documenting Locus+/Black Dog collaboration.

Project file for Shane Cullen – Fragmens sur les Institutions Republicaines. The file contains correspondence, photographs and negatives, newspaper articles and a set of 18 slides.Project Details:Installation of paintings.Date and location:June 1996, The Tyneside Irish Centre, Newcastle-upon-Tyne

Project file for Stefan Gec – Buoy. The file contains correspondence with the artist and collaborators, promotional materials, and finance and planning documents. Also included is correspondence regarding the Musee d'Art Moderne de la Ville de Paris "LifeProject Details: Sculpture installation using reconstituted metal from an earlier project 'Trace Elements,; to create an ocean worthy buoy. Project Location: North Sea. Project Dates: 1996-1999.

Project file for Steve Farrer – Cinema of Machines. The file contains correspondence with the artist, planning and finance documents, contracts, and promotional materials.Project Details:An installation of machines made from old and disused British cinema items. Installation at Northern Gallery of Contemporary Art (NGCA) Sunderland, August - September 1996.

Project file for Jan Wade and Vanessa Richards – Jazz Slave Ships/Witness/I Burn. The file contains information on the artists, correspondence, planning and finance documents, contracts, promotional materials, contextual research and photographs. Project Details: A site specific performance displaying connections between African spirituality, the slave trade and UK involvement. Project Location: Whitehaven, Cumbria

Project file for Manchester City Art Gallery – Exterior Artwork Commissions. The file contains correspondence with artists, planning documents, proofs, and slides.Project Details:A collaborative commission in which artists submitted proposals for the exterior of the gallery. These proposals included: 'The Plinth,' Elizabeth Wright consisting of a vertically balanced articulated truck. 'Everything Will Flow,' Ryan Gandar, a scaffolding construction.

Project file for Paul Wong – Windows 1997. The file contains correspondence, planning and finance documents, and promotional materials.Project Details:An installation, artist's talk and reception.Date and Location:29–31 May 1997: Institute of Contemporary Arts, London. June - July 1997: Site Gallery, Sheffield.

Project file for David Neel – Walas Kwees Ki La (Travels Great Distances). The file contains correspondence, planning documents, and slides.Project Details:The project Walas Kwees Ki La (Travels Great Distances) proposed the exhibition of 20 wooden masks inspired by traditional practices with contemporary symbolism situated in Venice. The opening night of the exhibition would be supported by the display of a 26-foot in length cedar canoe also carved by Neel.

Project file for Richard Wilson – The Joint's Jumping. The file contains information on the artist, correspondence, planning and finance documents, contracts, and negatives.Project Details:A proposal for an installation of rotating lights for the top of the Baltic Centre for Contemporary Art. The project was not realised.

Project file for Damien Hirst – Double Helix. The file contains photographs and negatives, correspondence and planning documents.Project Details:An installation for Newcastle Quayside. This project was not carried forwards.

Project file for Robert Fripp – Durham Cathedral. The file contains correspondence, press cuttings and information on the artist. Also included is a 1998 volume of Gramophone Explorations magazine.Project Details:A soundscape installation for Durham Cathedral. It is unclear if this project went ahead.

Project file on artist Janet Cardiff. The file contains planning documents, newspaper articles, photographs and correspondence with the artist.Project Details:File on artist Janet Cardiff. Project discussed but not specified. Not carried forwards.

Project file for a proposed anthology of writings by Peter Suchin. The file contains correspondence with the artist. Project was not carried forwards.

Project file for Locus+ – skulptur. projekte in Münster exhibition visit. The file contains correspondence, planning documents, receipts, maps and tickets, and a Deutsche Telekon SIM card decorated with the art of Otmar Alt.Project Details:A visit to Münster, Germany for representatives of Locus+ to participate in the temporary exhibition of scuplture installations around the city. The skulptur. projekte was a cooperative venture between state and city authority bodies.

Project file for Jonty Semper. File consists of press cuttings for 'One Minute Silence' along with audio recording. File also Includes Princess Diana Radio Times and event photographs. File contains CD titled 'Kenotaphium.' There are also museum/exhibition catalogues 'After Life - Bowes Museum' and 'Basics - Kunsthalle, Bern' containing works by Jonty Semper.

Project file for Lawrence Paul Yuxwelupton – An Indian Shooting an Indian Act. The file contains correspondence, planning and finance documents, photographs, and contracts.Project Details:A performance and artwork of the shooting of the Canadian Indian Act by First-Nation-Canadian Yuxwelupton.

Project file for RoseLee Goldberg – How to Perform Lecture Tour. The file contains information on the artist, correspondence, planning documents, and proofs.Project Details:A lecture on performance art history.Date and location:3 November 1997, Oxford

Project file for Stefan Gec, containg a number of projects. The file contains information on the artist, image slides, planning documents, and promotional materials.

Project file for Stefan Gec, containg a number of projects. The file contains information on the artist, image slides, planning documents, and promotional materials.

Project file for Paul St George – Minumental Scupltures. The file contains information on the artist, correspondence, planning and finance documents, contracts, newspaper articles, and photographs.Project Details:Monumental contemporary sculptures represented without the experience of scale. This project coincided with Anthony Gormley's Angel of the North.

Project file for Anya Gallaccio – Two Sisters. The file contains information on the artist, correspondence, planning and finance documents, and photographs.Project Details:A semi-permanent installation at the Minerva Basin, Hull, which erodes according to the tidal flow of the humber.

Project file for Stefan Gec – Book/Catalogue. The file contains information on the artist's work, correspondence, planning documents, and newspaper clippings.Project Details:A collection of Gec's past work. It is unclear whether this book/catalogue was carried forward.

Project file for Henrik Plenge Jakobsen – Prison. The file contains information on the artist, planning and finance documents, correspondence, a set of slides displaying examples of the artists previous works, and photographs.Project Details:An installation comprising of a newly constructed prison-style structure. It is unclear whether or not this project went ahead.

Project file for Douglas Gordon – Edinburgh Airport. The file contains information on the artist, correspondence, contracts, and promotional materials.Project Details:A site visit to Edinburgh Airport. It is unclear whether this project was carried forward

Project file for Richard Wright & Douglas Gordon – Remote. The file contains correspondence, promotional materials, and finance and planning documents. Also included is an English Heritage booklet from 1999–2000.Project Details:A site-specific, installation at Tynemouth Priory, North Tyneside. It is unclear if this project was taken forward.

Project file for Elizabeth Wright – Space Travel. The file contains information on the artist, correspondence, planning and finance documents, photographs and negatives, proofs, contracts and compact discs.File 2 contains: Digital Object IDs LP-2026-02-09-001; LP-2026-02-09-002File 3 contains: LP-2026-02-09-003.File 4 contains: LP-2026-02-09-004; LP-2026-02-09-005; LP-2026-02-09-007.File 5 contains: LP-2026-02-10-001 and LP-2026-02-10-002Project Details:An visual installation in a Nexus Metro Tunnel between Gateshead and Central Station, Newcastle-upon-Tyne, 2005.

Project file for Laura Vickerson – Fairy Tales & Factories. The file contains information on the artist, correspondence, planning and finance documents, promotional materials, and photographs.Project Details:Site-specific installation of a 3.5 metre wide hooded cape, with a 21-metre long train made from hundreds of thousands of red rose petals. Oral histories of the Sedburgh Stitchers were also recorded during the contstruction of the installation and played during the performance. The project was initially installed at Fairfield Mill, Sedburgh, Cumbria and the Holden Gallery, Manchester Metropolitan University.

Project file for Anya Gallaccio – Chasing Rainbows. The file contains correspondence, planning and finance documents, proofs, contracts, a floppy disk, and information on other related Locus+ projects such as "Locus solus" and Stefan Gec – Buoy.Project Details: The publication of a book collating 10 years of the artist's work.

Project file for FESARS Seminar 1999. The file contains information on the event.Project Details:FESARS - First European Seminar on Artist Run Spaces. Exploring artist run spaces across Europe.Date and location: 21–23 May 1999: Stockholm, Sweden.

Project file for Locus+ – Locus solus. The file contains correspondence, planning and finance documents, contracts, and promotional materials. Also included is information regarding Andre Stitt – Small Time Life.

Project file for Lloyd Gibson & Mark Little – n. The file contains correspondence, planning and finance documents, proofs, compact discs, floppy disks, and photographs and negatives.Project Details:Site-specific installation at Gruinard Island and compact disc publication.

Project file for Anya Gallaccio – Repens. The file contains planning and finance documents, corresponence, and photographs. The file also contains references to and information on Simon Patterson – Landskip, an artwork installed at the same event.Project Details: A temporary landscape installation using a repeated decorative motif. Location: Compton Verney, Warwickshire. Project dates: 27 July - 28 August 2000

Project file for Simon Patterson – Landskip. The file contains information on the artist, correspondence, planning documents, and promotional materials. The file also contains reference to Anya Gallaccio – Landskip, an artwork installed at the same event.Project Details: A site specific installation using devices emitting coloured smoke. Site Location: Compton Verney, Warwickshire. Project Dates: 27 July - 28 August 2000.

Project file for Wendy Kirkup – Echo. The file contains correspondence, planning and finance documents, contracts and proofs. Also included is a photograph of Stefan Gec's 'Natural History'.Project Details:A site-specific video projection consiting of ultrasound imaging which was simultaneously broadcast at the Interational centre for Life, Newcastle-upon-Tyne and The Hunterian Museum and Art Gallery, University of Glasgow.

Project file for Richard Wright – Richard Wright. The file contains correspondence, planning and finance documents, proofs, and photographs. Also included are project proposals and planning documents for other projects by Tanya Axford, Cath Bertola, Cath Cath Campbell, Jo Coupe.

Project file for Wendy Kirkup – Echo (accompanying publication). The file contains correspondence, promotional materials, proofs, planning and financial documents, a VHS tape, and a CD.Project Details:The accompanying publication to Wendy Kirkup's: Echo site specific ultrasound installation.

File contains an insurance details and breakdown for each Locus+ artist displaying work at ARCO 2001 Contemporary Art Fair in Madrid.

File contains a document which lists various costings and payments for freelance work done in relation to the 2001 ARCO Contemporary Art Fair in Madrid.

File contains a list of all participating galleries, organisations and publications from the UK at the 2001 ARCO Contemporary Arts Fair; an advance programme of panel discussions being held at ARCO 2001; a list of the most important museum directors in Spain, compiled by ARCO; a letter from ARCO regarding the UK being a guest country at the art fair and the provisions made as a result; ARCO 2001 event programme; agenda and contact information for the ARCO 2001 fair; details of the works being displayed by Locus+ at the art fair; ARCO application form and list of event furniture prices.

File contains review by Public Art Journal of Locus+'s book Locus Solus; a promotional article by ARCO for the 20th edition of the annual contemporary art fair in Madrid; an article by ARCO promoting UK artists featured at the fair; an article by ARCO detailling some of the highlight features of the fair, as well as entry rates; information for exhibitors at the art fair; a list of exhibitors at the ARCO 2001 fair and their stands

File contains photograph of Anya Gallaccio's artwork 'Repens' displayed in the lawn of Compton Verney; emails regarding flight and hotel bookings for a trip to Venice for Locus+ director Jon Bewley; letter of agreement and invoices between Locus+ and Phillipa Duffy regarding arranging a trip to ARCO art fair in Madrid; press cutting from the Independent on Sunday regarding ARCO contemporary art fair in Madrid which discusses Locus+'s prescence at the event; email regarding courier collection of artwork from ARCO event with event pass attached; Invitation cards for several events at ARCO; various handwritten notes.

File contains the list of artists displaying work at ARCO International Contemporary Art Fair and the art they are looking to sell; a list of contacts at ARCO; emails from Stefan Gec regarding his artwork for the exhibition; various documents regarding stand assembly and layout at the exhibition; floor plan for ARCO 2001; expression of interest by Locus+ in exhibiting at the art fair; ARCO catalogue instructions for the submission of art to be exhibited; copies of Locus+'s pages in the exhibition cataglogue; General Rules on Admission, Participation, Assembly and Installations document for ARCO; Specific Participation Rules for ARCO 2001; list of participants in ARCO 2001

File contains instructions for exhibitors attending ARCO International Contemporary Art Fair; emails regarding Locus+'s queries about the logistics of the exhibition; documents from the application process to ARCO; invoices; and a furniture magazine for the stand at the art fair.

File contains instructions for ARCO in creating a website for Locus+; text produced by Locus+ to be included on the website about the organisation and its participation in the art fair; list of artists being exhibited at ARCO Madrid 2001 by Locus+; email from ARCO regarding the creation of a complementary webpage for all participants in the art fair.

File contains insurance claim assessment statement; various FAX messages including a TNT insurance claim form, details for the delivery of the Patterson photographs including purchasing frames for them, information on the crates, contents and values of the items Locus+ wanted shipping, correspondence with other couriers including GEO Logistics and Transferex; pro forma invoices for the transportation of Stefan Gec, Anya Gallaccio, Richard Wright, and Simon Patterson's work to ARCO 2001; TNT delivery notes for ARCO Contemporary Art Fair; comparison of transport costs between various couriers; various emails about specifics for delivery to ARCO; quote for return delivery from TNT for ARCO 2001; and a letter from Transferex, S.A. as appointed Customs Agents and Offical Forwarders for the ARCO exhibition offering their services.

File contains a list of jobs to be completed before ARCO art fair trip, with list of work by Anya Gallaccio, Simon Patterson, Stefan Gec, and Richard Wright to be sent on reverse side; outline of project co-ordinator fees for ARCO trip; proposed work schedule before ARCO trip; and letter of agreement for the hiring of a project co-ordinator.

File contains a FAX message commissioning the construction of a perspex box; business card for John Beall director of Design Print & Display Ltd.; list of artwork by Stefan Gec, Andrew Grassie and Henrik Plenge Jakobsen; a catalogue entry form for Richard Wright for ARCO contemporary art fair; a FAX message from Locus+ to James Bustard of Visual Arts/Northern Arts with recommendations from Locus+ regarding hotel and flight reccomendations from ARCO Madrid; and a letter confirming Locus+'s participation in the ARCO art fair, including details on how ARCO is going to use the digital space alongside the inperson fair.

File contains a quote from The Print House regarding 20,000 leaflets.

File contains various flight invoices for travel between Newcastle and Madrid; various flight itineraries for travel between Newcastle and Madrid; a handwritten note with (persumable) flight times and prices; details of flights held for Madrid; hotel confirmation for Madrid; email regarding hotel booking for Locus+'s attendance at ARCO 2001 Contemporary Arts Fair; a list of various flights, times, and prices beteween Newcastle/Manchester and Madrid; various fax messages regarding hotel booking in Madrid with International Moneyover Payment slip attached; a list of hotels in Madrid provided by ARCO.

Project file for the ARCO UK Pavillion 2001. The file contains correspondence with collaborators, planning documents and promotional materials, and information on the showcased artists. Projects include Anya Gallaccio – Repens, Simon Patteron – Landskip,

Project file for Tanya Axford, Cath Bertola, Jo Coupe – ABC. The file contains information on the artists, correspondence, planning and finance documents, and contracts.Project Details:Three site specific artworks by the artists set up in Newcastle-upon-Tyne city centre and Ouseburn locations. Proposed dates, May 2001. It is unclear if this porject was carried forwards.

Correspondence and project brief file.

Project file for Locus+ Goes to Berlin. The file contains correspondence, planning and finance documents, and promotional materials.Project Details:An exhibition at Berlin Art Fair of various works.

Project file for Jonty Semper – Kenotaphion. The file contains correspondence, planning and finance documents, promotional materials, photographs, contracts, and a floppy disk.Project Details:A limited edition CD release of a compilation of silences aound Armistice Day and Remembrance Sunday.

Project file on artist David Thorpe. The file contains information on the artist, and images and slides of past work. No specific project is outlined and it is presumed that a proposed project was not carried forward.

Project file for Simon Patterson – Escape Routine. The file contains information on the artist, correspondence, planning and finance documents, promotional materials, contracts, and proofs.Project Details:A film based on in-flight safety procedures. It was shown at multiple locations such as Sydney Bienale, Museum of Contemporary Art, Sydney, Australia on 14.05.2002 - 14.07.2002; Newcastle Opera House, Newcastle upon Tyne on 12.07.2002; Magazin 4, Brigenz, Austria on 14.07.2002; Curzon Cinema, Shaftesbury Avenue, London on 25.07.2002.

Project file for Andre Stitt – Small Time Life. The file contains correspondence, information on the artist, planning and finance documents, proofs, and promotional materials. Also included are CDs of the artist's work with Daniel Biry, 'Working on the Bypass and Ceasefire.'Project Details: Still Time Life - a publication of Andre Stitt's work.

Project file for the publication 'Simon Patterson'. The file contains correspondence, planning and finance documents, proofs, photographs, and a CD.Project Details:A publication covering the last ten years (1991-2001) of Patterson's artwork, with texts by Bernard Fibicher and Iwona Blazwick.

Project file for Marion Coutts – No Evil Star. The file contains correspondence with the artist, planning and finance documents, and promotional materials.Project Details:A projection at the Hancock Museum. Facilitated by Locus+ as an artists residency with the Hancock (Great North) Museum.

Project file for the 2003 Locus+ Barbecue. The file contains postcard invitations, planning and finance documents, and correspondence.

Project file for Gary Perkins – Heat Signature. The file contains correspondence, planning and finance documents, photographs and slides. Material relating to work by Sheila Archer is also included.Project Details:An interactive installation using heat and thermal imaging technology to recreate Winter Landscape (1811) by Caspar David Freidrich. Location: aing Art Gallery, Newcastle-upon-Tyne, 11 April - 06 July 2003.

Project file for Nathan Coley – Show Home. The file contains information on the artist, correspondence, planning and finance documents, contracts photographs, negatives and prints, proofs, promotional materials, and compact discs.Contains Digital Object IDs: LP-2026-02-11-001 to - LP-2026-02-11-006Project Details:A temporary public art project also titled 'A Temporary Art of the Permanent Dream.' Co-commissioned with North Tyneside Council and performed in North Shields over 16-18 May 2003.

Project file for Christiane Löhr – Hancock Museum Residency. The file contains correspondence, planning and finance documents, contracts, proofs, and promotional materials.Project Details:A residency at Hancock Natural History Museum culminating in a month long exhibition. Exhibition Dates: 18th October - 16 November 2003.

Project file for Bill Peronneau – Peronneau. The file contains correspondence, planning and finance documents, proofs, contracts, and compact discs.Project Details:A self titled publication covering Peronneau's work.

A collection of design specifications, correspondence and press releases concerning Mark Wallinger's audio visual installation titled 'The Underworld.'

Project file for Nathan Coley – There Will Be No Miracles Here. The file contains correspondence, planning and finance documents, promotional materials, proofs, photographs, and a compact disc.Project Details:A monograph publication, 2004 with texts by Susanne Gaensheimer. Co-published with the Fruitmarket Gallery, Edinburgh.

Project file for Margaret Crane and John Winet – Monument. The file contains information on the artists, correspondence, planning and finance documents, newspaper clippings, contracts, photographs, slides and promotional materials. Includes unprocessed born digital objects. Project Details:A multi-media, web based project investigating urban life in Newcastle-upon-Tyne and Gateshead, from July 2002.

Project file for Chris Burden – Ghost Ship. The file contains correspondence, planning and finance documents, promotional materials, contracts, and compact discs.Contains Digital Object IDs: LP-2026-02-11-007 to LP-2026-02-11-010Project Details:Crewless, self-navigating sailing boat, travelling to Newcastle upon Tyne

Project file for Burren College of Art – 3rd Burren Annual Exhibition, "The Opposite of Vertigo". The file contains information on the artists, correspondence, planning and finance documents, photographs and negatives, promotional materials, and compact discs. There is also a small file focusing on Brian Eno and Synesthesia. It is unclear how this is related to the overall file.File contains digital object IDs: LP-2026-02-16-001 to LP-2026-02-16-009Project Details: An exhibition of nine artists from north-east England between 12 August - 22 September 2006.

Project file for Stepanka Stein & Salim Issa – IPRN. The file contains correspondence, planning and finance documents, contracts, promotional materials, photographs, and compact discs. Project Details: Photographs of different people under the title of 'Ordinary Living,' exhibited in the following locations. Museum Folkwang, Essen, Germany on 25.02 - 23.04.2006; Billboards - Tyne and Wear Metro 01.08 - 17.11.2006; NGCA, Sunderland 17.11.2006 - 13.01.2007.

A small collection of project invitations and Locus+ greetings cards. There is also a leaflet for 'Hotel Monument - Tatzu Oozu' and 'Orbis Mundi - The Marriage of King Copheta and the Beggar Maid,' the latter also contains 2 pressed roses. There is also a print by Ant Macari titled 'Snow falling on Snow - Silence.'

Project file for Layla Curtis – Polar Wandering. The file contains information on the artist, correspondence, planning and finance documents, contracts, photographs, promotional materials, proofs, and compact discs.File contains digital item ID: LP-2026-02-16-010.Project Details:A psycho-geographical drawing made during the artist's three month journey to and from Antarctica.

Project file Matt Stokes – Sacred Selections. The file contains information on the artist, correspondence, planning and finance documents, promotional materials, and proofs, and compact discs.Contains digital object IDs LP-2026-02-16-011; LP-2026-02-17-001 and LP-2026-02-17-002.Project Details:A limited edition CD of transcriptions of experimental organ recitaal to transcriptions of 'underground' music. It was launched 02 June 2006 with the first regional screening of "Long After Tomorrow" by St Vincent de Paul Society, Newcastle upon Tyne. Other music styles including happy hardcore and black metal were recorded in Dundee.

Project file for Janice Kerbel – Deadstar. The file contains information on the artist, correspondence, planning and finance documents, promotional materials, contracts, proofs, slides, and compact discs.File contains digital object IDs: LP-2026-02-17-003 to LP-2026-02-17-006.Project Details:An etching of a planned towKunstverein Graz, Vienna for ghosts. It was presented at the following locations: Kunstverein Graz, Vienna 06 July - 31 August 06; Moderna Museet, Stockholm, Sweden 01 August -31 December 2006; Stephenson Works, Newcastle upon Tyne 14-24 March 2007; Montreal Biennale, Canada 09 May -13 July 2007; The Drawing Room, London 11 November 2010 - 23 January 2011.

Project file for Locus+ – This Will Not Happen Without You. The file contains information on the artists, planning and finance documents, proofs, contracts, a compact disc, and a floppy disk.Project Details:An exhibition from the archives of the Basement Group, Projects UK and Locus+ 1977-2006. The exhibition was held in two locations; The John Hansard Gallery, University of Southampton 21 November 2006 - 20 January 2007 and Hatton Gallery, Newcastle University 10 February - 31 March 2007.

Project file for Locus+ – This Will Not Happen Without You. The file contains information on the artists, planning and finance documents, proofs, contracts, a compact disc, and a floppy disk.Project Details:An exhibition from the archives of the Basement Group, Projects UK and Locus+ 1977-2006. The exhibition was held in two locations; The John Hansard Gallery, University of Southampton 21 November 2006 - 20 January 2007 and Hatton Gallery, Newcastle University 10 February - 31 March 2007.

Project file for Graham Gussin – Illumination Rigg. The file contains correspondence, planning and finance documents, and contracts.Project Details:Illuminating urban locations with film lights to demonstrate architectural clashes. Date and location: 30 November - 02 December 2006 and 07-09 December 2006George Stairs, Quayside, Newcastle upon Tyne.

Project file for Douglas Gordon & Philippe Parreno – Zidane: A 21st Century Portrait. The file contains correspondence, planning documents, newspaper clipping and photograph.Project Details:A film focussing on the footballer Zinedine Zidane.Date and Location: Filming proposed on 21st August 2005, MIMA Middlesborough

Project file for Mark Dion – Memorial to Thomas Bewick. The file contains correspondence, planning and finance documents, contracts, and a compact disc.Project Details:A semi-permanent installation reflecting on the impact of Thomas Bewick on Dion's artistic practice. Date and Location: April - May 2007, St Michael's Church, Byker, Newcastle-upon-Tyne.

Project file for Chris Burden – Chris Burden Monograph. The file contains information on the artist, correspondence, planning and finance documents, contracts, promotional materials and compact discs.File contains Digital Object IDs: LP-2026-02-17-007 to LP-2026-02-17-009 and LP-2026-03-24-001 to LP-2026-03-24-004Project Details:A monograph covering the artist's work.

Project file for Mike Nelson. The file contains planning documents, promotional materials and articles, and CDs and a DVD. Files Include: Changing Sunniside's Public Realm; scaffolding installation proposals for Edge Hill Station along with press cuttings of Mike Nelson's installations.

Project file for a proposed project: Jonathan Harvey (Acme Studios) – Kerry Trengove Monograph. The file contains correspondence with Acme Studios and promotional materials regarding the subject of the proposed monograph.

Project file on artist Paul Lincoln. The file contains information on the artist, and examples of the artist's past work. This project was not carried forwards.

Project file for Sonia Boyce – For You Only You. The file contains correspondence, planning and finance documents, promotional materials, compact discs.File contains Digital Object ID's LP-2026-03-24-005 to LP-2026-03-24-007.Project Details:A performance and triptych video installaltion addressing the boundary between classical music and sound art. Date and Location: The Castle Keep, Newcastle upon Tyne28 Februray - 09 March 2008.

Project file for Richard Wilson – Red Hot. The file contains correspondence, planning and finance documents, proofs, and photographs.Project Details:A tour through the Ouseburn Culvert to a heated steel cube emitting light.Date and location: 2009: Ouseburn, Byker, Newcastle-upon-Tyne.

Project file for Bruce McLean book. The file contains information on the artist, correspondence, planning and finance documents, and compact discs.File contains Digital Object IDs LP-2026-03-24-008.Project Details:A proposed book of essays and works by Bruc McLean. The project was not carried forwards.

Project file for Tatzu Nishi – Hotel Monument. The file contains information on the artist, correspondence, planning and finance documents, promotional materials, and compact discs.File/Part 3 contains Digital Object IDs LP-2026-03-24-009 to LP-2026-03-24-011.Project Details:A 2008-2009 proposal for a hotel constructed around Grey's Monument, Newcastle-upon-Tyne. The project was unrealised.

Project file for Leo Fitzmaurice – Post Match. The file contains correspondence, planning documents, contracts, promotional materials, proofs, and a compact disc.Project Details:A publication of football themed artworks with texts by Harry Pearson and Mark Wallinger.

Project file for Alastair MacLennen – Coil to Met. The file contains information on the artist, correspondence, planning and finance documents, and promotional materials.Project Details:A two-day performance by the artist.Date and location:13–14 November 2009; JT Doves, Orchard Street, Newcastle upon Tyne

Project file for Richard Wright – County Durham Proposal. The file contains correspondence, planning and finance documents, and acompact disc.Project Details:Planned unique paintings and drawings in non-gallery locations around County Durham. It is unclear whether this project was carried forwards.

Project file for Richard Grayson – The Magpie Index. The file contains correspondence, planning and finance documents, contracts, promotional materials, proofs, compact discs, and digital versatile discs.File contains Digital Object IDs LP-2026-03-24-012.Project Details:A high-definition video artwork of monologues. Dates and Locations: De La Warr Pavilion, Bexhill on Sea 16 January 2010 to 14 March 2010, Baltic Contemporary Centre 19 March 2010 to 11 April 2010.

Project file for Fiona Banner – Tornado. The file contains correspondence, planning and finance documents, contracts, and proofs.Project Details:A bell crafted from a fighter plane which could be rung by members of the public. Part of the True Spirit commissions. Dates and Locations; Hillgate Quay, Gateshead 22 July 2010 to 21 September 2010 and Frith Street Gallery, London, 17 November 2010 - 15 January 2011.

Project file for Chris Burden – A Man Free World. The file contains miscellaneous project material, including a drawing titled 'A Man Free World'.Project Details:In 2012, to celebrate twenty years of innovative projects, Locus+ announced the launch of

Project file for Cerith Wyn Evans – Permit yourself…. The file contains correspondence, planning and finance documents, promotional materials, and proofs.The file also contains some documentation for work by other various artists.Project Details:A large scale kinetic sculpture made of text and double sided mirrors. Date and Location: Unit 91, Alexandra Business Park, Pallion, Sunderland. 15 September - 23 October 2011.

Project file for the installation: Jonathan Schipper – Slow Motion Car Crash. The file contains planning, finance and customs documentation, correspondence with suppliers, and promotional materials.Project Details:An installation of a car crash which occurred at 7mm per hour over the course of the AV Festival month to complete the collision. Dates and Location: 16 Saville Row, Newcastle upon Tyne, 01-31 March 2012.

Project file for Douglas Gordon – End of Civilisation. The file contains correspondence, planning and finance documents, promotional materials and photographs.Project Details:A multi-screen installation with sound of a grand piano burning in the Cumbrian landscape near Hadrians Wall. Screenings were held 05-06 July 2012 at the Tyne Theatre, Newcastle-upon-Tyne.

Project file: contain project briefing documents. Project details: An installation of illustrations from Roman Signer's Library for a site specific installation, work initially started in 2011. It is unclear if the project was carried forwards.

Considered for the Venice Biennale, 2015

Project file for Katie Paterson – Second Moon. The file contains correspondence, planning and finance documents, contracts and promotional materials.Project Details:A fragment of the Moon was sent to orbit the Earth via airfreight courier. During its year long journey its location could be tracked using an app. Dates and Location: Second Moon was launched in September 2013 at the British Science Festival in Newcastle-upon-Tyne. The orbit was planned to conclude in August 2014.

Project file for Sarah Pickering – Aim and Fire. The file contains correspondence with the artist, planning and promotional materials, proofs and finance documents.Project Details:An exhibition of prints and photographs. Exhibition ma also be titled 'Celestial Objects.' Date and location:October 2013, Newcastle-upon-Tyne.

Project file for the sculptural commission of a 120cm x 120cm book: Christian Barnes – A Bathymetric Atlas of contours of the principle lakes in the English Lake District. The file contains project correspondence with the artist and suppliers, publicity materials, and proofs. Date and Location: Locus+ Offices, 16-31 July 2014.

Project file for the publication of a pamphlet: Mark Haywood – Double Negative. The file contains project correspondence with the artist and suppliers, publicity materials, and proofs. This publication is sister to Christian Barnes – "A Bathymetric Atlas.

Project file for a collection of photographic portraits: John Kippin – Cumberland Portraits. The file contains envelopes of photographs of artists involved with Locus+, two compact discs, and some printed email correspondence.File contains Digital Object IDs LP-2026-03-24-013 to LP-2026-03-24-014.

Project file for Ron Geesin – Blackbird Quadralogue. The file contains correspondence, planning and finance documents, and contracts.Project Details:Octophonic sound composition and installation using the songs of Blackbirds.Date and location:October 2014

Project file for Wolfgang Weileder – Transfer Laban. The file contains correspondence, planning and finance documents, contracts, proofs, and promotional materials.Project Details:A choreographed construction project using system scaffolding and dry joinery to build and disassemble sections of the Laban building captures using time lapsed photography. Dates and Location: Montgomery Square, Canary Wharf, London, 13-24 June 2016.

The slide series features photographic representation of visual arts installation on 35mm and 50mm slide sheets. Photographic representation relates to the installation performance period and prior preparation.

The slide series features photographic representation of visual arts installation on 35mm and 50mm slide sheets. Photographic representation relates to the installation performance period and prior preparation.

File contains publicity regarding Paul Wong, Lani Maestro, Henry Tsang and Sharyn Yuen's temporary art installations at All Saints' Church, Newcastle. Article from The Journal.

File contains cuttings from Hybrid: The International Cross-artform Bi-monthly about Locus+ and four as the site-specific works the organisation is producing. These projects were Mark Haywood's 'City Museum of Art and Design', Lloyd Gibson's 'Crash Subjectivity', Lani Maestro's 'Feng Shui', and Louise Wilson's 'The Museum of Accidents'.

File contains publicity for Canadian artist collective Average Good Looks, including their LGBT activism.

File contains publicity regarding Mark Wallinger's piece 'A Real Work Of Art'. Articles from Art Monthly, The Guardian, Daily Telegraph, and The Independent.

File contains an assortment of publicity material for artists associated with Locus+. 1994 Daily Telegraph article on Mark Wallinger's 'A Real Work Of Art'; Sunday Tribune article on Lloyd Gibson's 'Crash Subjectivity'; Mute's article on Stefan Gec's art trilogy: 'Buoy', 'Lure', and 'Trace Elements'; articles on Stefan Gec's Chernobyl firefighter portraits piece 'Natural History' on Pilgrim Street Fire Station, Newcastle.

File contains publicity regarding John Newling's piece 'Skeleton'. Article from The Journal.

File contains publicty from The Journal discussing various Locus+ projects; publicity from The Journal regarding Gregory Green project on the Medow Well Estate, North Shields; publicity from The Journal for Lawrence Paul Yuxweluptun; publicity from The Big Issue, and Wired about Gregory Green's project 'Gregnik'; publicity from Shift for Gregory Green; publicity for Locus+ and Gregory Green from Umbrella; publicity piece from The Big Issue for Jan Wade and Peter Kennard's 'Between A Smile And A Hard Face'; publicity for Gregory Green from P.O.V.; article from Tages-Anzeiger; The Journal article on Damien Hirst in consideration for a programme of riverside art in Tyne & Wear

File contains reviews of 'The Birth Caul' (a spoken word album by Alan Moore, David J, and Tim Perkins) by Audion, Sonar Map, and S.S.I. Newsletter.

File contains publicity for Richard Wilson and his art installation 'The Joints Jumping' from The Journal.

File contains publicity from The Journal, Mute, Metro, An Artists Newsletter, The Independent Magazine, Northern Review, The Face, Livewire, The Big Issue, The Guardian, Radioactive Times, Wired, Building Design, Paint It Red, Untitled, and Courrier International for 'Nach (After) Chernobyl' at various locations; publicity from Contemporary Visual Arts, and Varient regarding the Life/Live exhibition featuring Cornelia Hesse-Honegger amongst others; article in The Architects' Journal about the future of visual arts including the work of Locus+.

File contains publicity for Cornelia Hesse-Honegger from The Ecologist and Courrier International for her project 'After Chernobyl'.

File contains publicity from Irish Times, Northern Echo, and The Journal for Stefan Gec; publicity for Locus+ in Northern Review, and Artists Newsletter; publicity from Mute, AMW, The Journal, Irish Times, and The Mail regarding 'Buoy' by Stefan Gec;

File contains publicity from The Independent regarding Shane Cullen's artpiece 'Some Mother's Son'; publicity from Circa about Shane Cullen's 'Fragmens sur les Institutions Republicaines IV'

File contains a curriculum vitae for curators Jon Bewley and Simon Herbert (The Basement Group, Project UK, The Edge Biennale Trust, Locus+) from 1979-1997; Tages-Anzeiger article; The Guardian article regarding Life/Live contemporary British art exhibition in Paris; publicity from Mute discussing Locus+'s archive; a collection of papers regarding past Locus+ projects (including work by Stefan Gec, Lloyd Gibson, John Newling, Shane Cullen, Gregory Green, Richard Wilson); publicity about Locus+ 1993-96 (book); review of Locus+ 1993-1996; front and inside cover for Curating: The Contemporary Art Museum and Beyond

File contains publicity for Gregory Green's project 'Gregnik' from The Journal, Roles and Reason, Wired, and Shift; publicity for the books Locus+ 1993-1996 and Manual II: Gregory Green by Umbrella.

File contains publicity from Temple Bar Review, The Event Guide, and The Irish Times for Stefan Gec's piece 'Buoy'.

File contains review of the Life/Live exhibition by Varient; book abstracts for Locus+ 1993-1996 and The Future's Mirror: Cornelia Hesse-Honegger from ARTbibliographies Modern; article from The Independent about arts funding in the North East; review of the book Locus Solus: Site, Identity, Technology in Contemporary Art by Black Dog Publishing; review of Locus+ 1993-1996 by Mute

File contains publicity for Cornelia Hesse-Honegger from Joy, The Face, Metro, Eye on Friday, Artists Newsletter, Evening Gazette, Herald & Post, Wired, and The Mule for her exhibition 'After Chernobyl'; general publicity for Locus+ in Roles and Reason; and a clipping from The Big Issue with coverage of work by Jan Wade, Peter Kennard, Between A Smile And A Hard Face, Harland Miller, and Mandy McCartin.

File contains publicity for Paul Wong from Taxi Vancouver and Vancouver Echo.

File contains pulicity for Lawrence Paul Yuxweluptun and his project 'An Indian Act Shooting the Indian Act' from Art Review, Artists Newsletter, and The Journal

File contains articles regarding a proposed Damien Hirst project to be located on Quayside, Newcastle upon Tyne by The Journal, Newcastle Journal, and Evening Chronicle.

File contains publicity for Lawrence Paul Yuxweluptun's art project 'An Indian Act Shooting the Indian Act' from Vancouver magazine.

File contains publicity for Paul St George's art project 'Minumental', with articles from Esquire, The World of Interiors, Select, Art Monthly, Der Speigel, GQ (Germany), LiveWire, Art Review, Creative Review, and Tatler.

File contains a selection of press clippings relating to Cornelia Hesse-Honegger's work which was showcased at The Natural World exhibition in Vancouver Art Gallery, collated by the organisation; publicity for Hesse-Honegger's project 'After Chernobyl' by Nature, Joy, Kaleva, Vie Des Arts, Where Vancouver, Preview: The Gallery Guide, F8 Times Colonist, This Week, Flash Art, Vancouver Sun, The Furture's Mirror, Wired, FFWD, and Hit List; a festival booklet from Banff Arts including advertisement for Hesse-Honegger; and publicity for Stefan Gec in Border Crossings.

File contains publicity for Cathy de Monchaux from The Journal, The Crack, Evening Chronicle, Northern Review, Art Review, Visual Arts Bulletin, n.paradoxa, Sculpture and The Met for her project 'The Day Before You Looked Through Me' using the Tyne and Wear Metro; and an Evening Chronicle article on the proposed Damien Hirst 'white elephant' project.

File contains publicity for Anya Gallaccio for her 'Two Sisters' art piece from Gateway (North-east region ABP staff newsletter; whole 9th edition included); publicity for the Artranspennine project, including write-ups for Gallaccio from LiveWire, The Art Newspaper, and Art Monthly; and discussion pieces about 'Two Sisters' from the Daily Mail, The Daily Telegraph, Hull Daily Mail, The Observer Review, The Sun, and The Sunday Times.

File contains publicity for Paul St George's project 'Minumentals' from Arena, Sunday Express, and The Hartlepool Mail.

File contains publicity for an art exhibition at stately home Compton Verney, Warwickshire which was curated by Locus+ and featured the work of Simon Patterson and Anya Gallaccio. Press cuttings for this are from The Independent Magazine, Sculpture Matters, Contemporary Visual Arts (CVA), Art Review, and The Independent. There is also a compilation of press cuttings collected under the title ‘Compton Verney: Art in the Park: Press Cuttings by Anya Gallaccio and Simon Patterson’ that includes clippings from a variety of both regional and national publications. Additionally, there is an article from Building Design on the restoration and extension of Compton Verney by Stanton Williams; and an article in Landscape about Anya Gallaccio's work which features the natural landscape.

File contains a press cutting from Canadian Art for Laura Vickerson's project 'Fairy Tales and Factories'.

File contains a press cutting from Arena on Paul St George's 'Minumentals' project.

File contains press cuttings about the Chernobyl disaster from the Evening Chronicle featuring Stefan Gec's portraits of the six firefighters displayed on Pilgrim Street fire station, Newcastle.

File contains a book review of Locus Solus: Site, Identity, Technology in Contemporary Art; press cuttings from the Independent on Sunday and Art Review which mention Locus+'s stand at ARCO contemporary art fair in Madrid; a book review in Northern Review of Locus Solus: Site, Identity, Technology in Contemporary Art; and an article from Public Art Journal by Sarah Cook titled 'Down in the Woods: New Media at Grizedale discussing both Grizedale Sculpture Park, Cumbria and the Locus+ projects at Compton Verney, Warwickshire and Gruinard Bay, North-west Scotland.

File contains a press cutting from the Evening Chronicle which explores both past 'eye sore' art projects that have been installed in Tyneside over the years, and the funding available from Riverside Arts Project for a new temporary installation. Dorothy Cross' proposal is 'strongly favoured', with Locus+ evaluating the proposals. Anya Gallaccio's 'Two Sisters' sculpture is referenced.

File contains publicity for Locus+ and various artists they had on commission from Public Art Journal, Contemporary Visual Arts (CVA), Circa, Experimenta, As, and Artists Newsletter.

File contains publicity for Stefan Gec and his project 'Buoy', written by Judith Palmer for The Independent.

File contains a press cutting from The Scotsman which promotes the exhibition 'Spectacular Bodies: The Art and Science of the Human Body from Leonardo to Now' at the Hayward Gallery, London. The article explores the history of medical art and describes some of the exhibits being shown from worldwide collections.

File contains press cuttings about Simon Patterson, including his work at Compton Verney, from The Journal Business Magazine; an article about the Compton Verney project from The Times; and an advertisement in The Journal Business Magazine for Simon Patterson's 'Landskip 2000' project at Compton Verney, with colour photographs of the commission on sale.

File contains a review of the book Andre Stitt: Small Time Life by Sleazenation on Andre Stitt, including an overview of the artist's influences and past work.

File contains press cuttings from Metro and The Journal regarding 'Until Sun', a site-specific art exhibition consisting of 'Babel's Folly' by Tanya Axford, 'Scratching at the Surface' by Catherine Bertola, and 'Fruitbody' by Jo Coupe displayed at several locations in Newcastle and commissioned by Locus+. The Journal article focuses more specifically on Tanya Axford's piece.

File contains press cuttings from the Evening Standard's Hot Tickets magazine, Middlesbrough Evening Gazette, the Evening Standard, The Times, The Independent, The Observer, The Guardian, The Northern Echo regarding Jonty Semper's audio artwork 'Kenotaphion', which featured recorded silences from various Armistice days and Diana Princess of Wales' funeral.

File contains press cuttings from The Journal, Evening Chronicle, Crack, News of the World, The Telegraph, E-Zine, National Post, and The Globe and Mail, and the Evening Standard regarding Jonty Semper's audio artwork 'Kenotaphion', which featured recorded silences from various Armistice days and Diana Princess of Wales' funeral. A Public Art Journal and Guardian article discuss Semper's work alongside other artists working with soundscapes.

File contains article written by Cornelia Hesse-Honegger in n.paradoxa: International Feminist Art Journal about her work, including her 'Nach Chernobyl' project.

File contains interview with Andre Stitt and Cosey Fanni Tutti in Bizarre Reads promoting Stitt's book Small Time Life; promotion of Stitt's book and book launch in unknown publication; review of Small Time Life in unknown publication; promotion for Stitt's performance piece in Cardiff called 'I Love You' and book in Buzz magazine; and promotion for Jon Winet and Margaret Crane's project 'Monument' in The Journal.

File contains a review of Simon Patterson's 'Escape Routine' in Contemporary; a review of the Sydney Biennale art festival, curated by Richard Grayson (founding member of The Basement Group, a predecessor to the Locus+ organisation) in the Sunday Herald; a review of the Con Art show, held in Sheffield, which included Patterson's 'Escape Routine' as well as work by other artists in the Times and Art Monthly; promotional article in The Crack for Patterson's book release and showing of 'Escape Routine' at Newcastle Opera House; an interview with Simon Patterson in The Crack; a review of Simon Patterson's book and work, the Baltic Centre for Contemporary Art's first show 'B.Open', and Stefan Gec's 'The Outside World' in Modern Painters; a review of 'Escape Routine' and Patterson's book in Art Review; promotion of Patterson's book in The Independent on Sunday; promotion of the Newcastle Opera House showing of Patterson's film in Metro; and a review of Patterson's book in Creative Review.

File contains an article in BLUEPRINT about the work and history of Locus+, including a picture of the organisation's directors; a Guardian article publicising 'Monument' by Margaret Crane and Jon Winet, an online documentary recording Newcastle through creative writing, experimental journalism, photography, and social anthropology; media release for Cornelia Hesse-Honegger's book Heteroptera: The Beautiful and the Other, or Images of a Mutating World; and an article in the Sunday Telegraph magazine publicising Hesse-Honegger's new book.

File contains two copies of an article from the contemporary art and culture magazine Frieze about the 2002 Sydney Biennale art festival, curated by Richard Grayson (founding member of The Basement Group, a predecessor to the Locus+ organisation)

File contains an article about pre-fabricated housing in the post-war period in The Independent Review, which includes discussion of Nathan Coley's art project 'Show Home' in North Shields. Publicity in The Journal, Art Monthly and NEPA News about Coley's 'Show Home' project. An article in an unknown publication (possibly called Tales of the City) about Coley's 'Show Home' project which includes a series of photographs.

File contains review of Gary Perkins' 'Heat Signature' by Metro, with the art piece being a response to David Friedrich's 'Winter Landscape' (1811), using cardboard cut outs and thermal imaging. Articles promoting 'Heat Signature' and Antony Gormley's 'Domain Field' in The Crack, as well as a list of local exhibitions and an advertisement for Perkins' work.

File contains an article in artsindustry by Alan Sykes about the Baltic, the Gateshead art gallery, appointing a new director after the departure of its first director Sune Nordgren. The article also discusses the direction the local arts community wished to see the Baltic take with the new leadership, including a quote from Jon Bewley of Locus+.

File contains a reviews by The Times, The Journal, Evening Chronicle, British Journal of Photography, The Crack, and Amateur Photographer of Bill Peronneau's photography book Peronneau, which included a series of candid photographs with the boxer Muhammad Ali taken at his cabin in 1974, and was published by Locus+; and an interview with Bill Peronneau about the book in Eight: Photojournalism.

File contains an interview with Anya Gallaccio about her work, including 'Repens', 'Glashu', 'Keep off the Grass', and 'Forest Floor', and the influence of nature upon it for Landscape.

File contains a promotion/information booklet about the 'SSSI Greenham Common' project by John Kippin who undertook an artist residency at the site 1998-2000, photographing the process of Greenham Common reverting from military base to public green space. Press cuttings from Metro about an exhibition by Kippin called 'Cold War Pastoral', in Newcastle, showcasing his Greenham Common photography series. Article by The Journal on Stephen Snoddy's first week as director of the Baltic art gallery in Gateshead. Articles from Border Crossings and Planet S about the conference held at the Mendel Gallery in Saskatoon, at which Jon Bewley (director at Locus+) was the first speaker. The articles goes on to detail the range of projects undertaken by Locus+, along with a little on how the organisation is run behind the scenes.

File contains publicity from Metro and The Journal for Stefan Gec's exhibition in Newcastle of his recent work entitiled 'Long Distance', with installations including a number of computer-generated animations, and 'Mannequin' which was Gec's shortlisted proposal for the fourth plinth in Trafalgar Square, London. Review of 'Long Distance' from Metro and The Crack (plus advertisement for Mark Wallinger's exhibition 'The Underworld' at the Laing Art Gallery).

File contains publicity from Scotland on Sunday, The List, and Architects' Journal for Nathan Coley's 'The Lamp of Sacrifice' exhibition and a review of some of his work. Articles in the Irish Times and The Visual Artists' News Sheet regarding Nathan Coley's public art project 'Show Home' displayed in Dublin. An edition of the Irish Times Residential Property supplement from 25th March 2004. Issue 3 of The Visual Artists' News Sheet from May 2004. Two sets of newspaper clippings from unknown publications regarding Coley's 'Show Home' project. An article in Contexts which includes 'Show Home' which, before Dublin, had previously been displayed in North Shields, Newcastle and Milton Keynes. An online review from CIRCA Art Magazine of Coley's 'Show Home'. Information regarding a panel discussion at the City Arts Centre, Dublin in conjunction with the 'Show Home' installation with RIAI (Representing Irish Architects).

File contains publicity for an exhibition at the Vardy Gallery in Sunderland featuring the work of Richard Billingham in Metro. Review of two limited-edition books on Muhammad Ali in Boxing News, including Peronneau published by Locus+.

File contains a reviews of Mark Wallinger's installation 'The Underworld' at the Laing Gallery in Newcastle in The Observer, Metro, and The Tablet. A review of Susan Hiller's 'Recall' and Mark Wallinger's 'The Underworld' by the Times. An article from the Telegraph about the Hatton and Laing Galleries in Newcastle, especially the work of Kurt Schwitters (1887-1948), William Roberts (1895-1980), with short reference to other artists like Mark Wallinger. An edition of The Tablet from 22 May 2004.

File contains press clipping about Chris Burden's 'Ghost Ship' project in the Journal's Culture magazine, the Guardian, the Daily Telegraph, the Journal, and the Northern Echo. A selection of press clippings from the Salford Advertiser, the Southern Daily Echo, the Northern Echo, the Scotsman, Electronics World, New Civil Engineer, the Wimbledon, Morden & Mitcham Post, the Engineer, the Daily Echo, the Independent, the Journal, the Financial Times, and the Daily Mail on the technological output of the University of Southampton which included their involvement in the 'Ghost Ship' project. Articles about Burden and his 'Ghost Ship' project in Art Review, Art Monthly, Frieze, and ARTFORUM. A biographical article on Chris Burden and his portfolio in Another Magazine. Publicity for books on artists' work, including Chris Burden, in unknown publication. An article on the 'Ghost Ship' project in New Boundaries, the University of Southampton's research magazine, including a copy of the whole publication.

File contains a book review for Natalie Jeremijenko and Eugene Thacker's book Creative Biotechnology: A User's Manual in n. paradoxa; articles in the Independent and the Journal about the Baltic gallery's decision to cancel an exhibition to celebrate Locus+'s 25th anniversary; and communications between the Baltic's director Peter Doroshenko and Locus+'s Jon Bewley regarding the cancelled exhibition.

File contains a copy of Cartographiti: The Newsletter of the Map Curator's Group of The British Cartographic Society (No. 75, Autumn 2005) and an accompanying note of thanks.

File contains publicity for the art piece 'Space Travel' by Elizabeth Wright in the Evening Chronicle, The Times, and The Telegraph which comprised of a series of images of car parks displayed on the tunnel walls heading out of Gateshead Metro station and was the first public artwork installed in a railway tunnel in Britain. Article in the New Statesman entitled 'Baltic Blunders' along with the whole 5 September 2005 publication of the New Statesman.

File contains a partial programme for contemporary art event 'Locator' in Newcastle-Gateshead, which included work by Layla Curtis amongst others. Publicity for Layla Curtis' collage map of Newcaslte-Gateshead regional namesakes in a guide to Newcastle-Gateshead's Festival of Visual Arts. Reproduction of Curtis' map in The Crack. Article in the Evening Chronicle about Curtis' Newcastle map, including opinions from the public, and in a-n Magazine.

File contains an articles in The Journal's Culture magazine and the Evening Chronicle about Nathan Coley's 'Show Home'.

File contains an article on Janice Kerbel in ARTFORUM and an article on Chris Burden in the Telegraph.

File contains an article writen by Layla Curtis about her work and inspiration, including the work done through the Artists and Writers Fellowship Award to Antarctica. Articles in Flux and Art Monthly about Curtis' project 'Polarwandering'. Article about Curtis' previous work with maps in an unknown publication.

File contains a review from Metro for 'This Will Not Happen Without You', an exhibition showcasing some highlights from Locus+'s archives; two press cuttings of the exhibitions pages of The Guide from November and December 2006 with promotional pieces on 'Stepanka Stein and Salim Issa' and 'This Will Not Happen Without You' highlighted; and a page from the Independent with a promotion for 'This Will Not Happen Without You' highlighted.

File contains an article from the Clare People regarding the art exhibition 'The Opposite of Vertigo' held in Ballyvaughan, County Clare, which was currated by Locus+ and featured work from artists from the North East of England. Two press cuttings of the exhibitions pages of The Guide from November and December 2006.

File contains an article from Metro promoting 'Glow', an illumination event which was part of the Newcastle-Gateshead Winter Festival in 2006. Graham Gussin's 'Illumination Rig' is highlighted in the top five of the 'Glow Trail'.

File contains 'MetroLife' section of Metro with a review of 'This Will Not Happen Without You', an exhibition showcasing some highlights from Locus+'s archives; an article in the Journal about 'This Will Not Happen Without You' being held at the Hatton Gallery at Newcastle University; articles in The Crack, Art Monthly, and Viewpoint about 'This Will Not Happen Without You'; and articles in Frieze about 'This Will Not Happen Without You' and Gardar Eide Einarsson's 'Tokyo Underworld' exhibition.

File contains an article from the Journal about Mark Dion's 'Memorial to Thomas Bewick' in St Michael's Church, Byker; copies of the Journal from Thursday 5th April 2007; and promotion for the 'Memorial to Thomas Bewick' in City Life.

File contains an article from the Los Angeles Times about the artist Chris Burden and the self-titled book of his work; a series of reviews from two unknown publications, both including a review of Burden's new book; and a review of Burden's monograph in Eye Magazine.

File contains an interview with Chris Burden published in Art Press.

File contains a copy of a poster for 'Bambuco', an art installation featuring an eighth bridge across the Tyne made from Bamboo and forming part of the 'SummerTyne' celebrations; a promotional guide for 'East '08', an arts festival celebrating contemporary Asian culture in the North East; a copy of the Journal from Thursday 26th June 2008; an article from the Journal on Tatzu Nishi's project 'Hotel Monument' where he transformed Grey's Monument, Newcastle into a hotel room; a copy of the Journal from Friday May 30th 2008; an article from the Evening Chronicle on Nishi's 'Hotel Monument'; article on 'Hotel Monument' from the Journal in the context of the 'East '08' celebrations; and three copies of the Journal from Thursday 7th February 2008.

File contains a programme of cultural events happinging in Newcastle and Gateshead June-November 2008; promotional pieces for Nishi's project in the Guardian, the Observer, and Jet Away; an article in the Guardian on the 'Hotel Monument' project and other similar installations; a copy of the Times dated Saturday 24th May 2008 with full page advertising for art installations in Newcastle-Gateshead including 'Hotel Monument'; an article in the Chronicle concerning the 'Hotel Monument' project being postponed until Summer 2009 due to financial issues; and a copy of the Evening Chronicle from Friday 11th July 2009.

File contains an article on Chris Burden in Men's Vogue; an interview in The Art Newspaper with Burden about his art installation 'What My Dad Gave Me' which was a 65-foot skyscraper made from stainless-steel replica pieces of a Erector Set toy building kit; and three copies of Men's Vogue June/July 2008 edition.

File contains an opinion page from the Journal including comment on Newcastle City Council's granting of planning permission for Tatzu Nishi's 'Hotel Monument' project then removing it, and an article in the Journal about the second attempt to build the 'Hotel Monument' project.

File contains publicity for an exhibition showcasing Locus+'s archive in York entitled 'This Will Not Happen Without You', a disscussion event for the Folk Archive, and a seminar entitled 'Archiving: An Accident of Practice?' from an unknown publication; an article from Tony Horne in the Evening Chronicle criticising public spending; a copy of The Journal from Wednesday 25th March 2009; an article from The Journal about Tatzu Nishi's 'Hotel Monument' project seeking planning permission for the second time; and a copy of The Journal from Friday 20th February 2009.

File contains an article in Newcastle Stuff criticising the plans for Tatzu Nishi's 'Hotel Monument'; two articles from The Journal about 'Hotel Monument' seeking planning permission for the second time; a copy of The Journal from Friday 3rd April 2009; articles in The Journal and the Evening Chronicle about 'Hotel Monument' being denied planning permission; a copy of the Evening Chronicle from Friday 10th April 2009; a copy of The Journal from Wednesday 15th April 2009; a copy of The Journal from Saturday 11th April 2009; and an opinion page from The Journal with comment made on the 'Hotel Monument' project.

File contains a review of Chris Burden's book in Art World and mention of Burden's 1985 work 'Samson' in MAP.

File contains a write up by the Journal on Jon Bewley, director of Locus+, with the presentation of the award for 'Special Contribution to Arts and Culture', along with a copy of the Journal's 'Culture Awards 2008' supplement.

File contains a copy of The Journal's 'Culture Awards 2008' supplement.

File contains articles in The Journal and The Journal's Culture magazine about various art projects submitted for consideration, linked to the London 2012 Olympic Games, including 'Red Hot' by Richard Wilson commissioned by Locus+.

File contains articles in the Evening Chronicle and The Journal about artist Topsy Qur'et winning an unfair dismissal case against Helen Smith of Waygood Gallery in Newcastle.

File contains articles from the Guardian,the Times, and the Independent about the Turner prize which included work from Richard Wright.

File contains an article from the Evening Chronicle on the 'Taking the Lead' project, part of a national arts initiative on the run up to the 2012 Olympic Games.

File contains a copy of the Guardian's Guide from Saturday 23 January 2010 featuring an article on Richard Grayson's 'The Magpie Index'.

File contains articles in The Journal, the Northern Echo, the Guardian, Art Monthly, the Independent, the Evening Chronicle, and the Observer on Fiona Banner and her art, including the project 'ZE 782' or 'Tornado', which saw a RAF fighter plane being turned into a bell and put on show in Gateshead and Newcastle.