File BXB/1/1/ADC/7 - Glass Wings

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BXB/1/1/ADC/7

Title

Glass Wings

Date(s)

  • 2013 (Creation)

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1 item

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(1934-)

Biographical history

Fleur Adcock writes about men and women, childhood, identity, roots and rootlessness, memory and loss, animals and dreams, as well as our interactions with nature and place. Her poised, ironic poems are remarkable for their wry wit, conversational tone and psychological insight, unmasking the deceptions of love or unravelling family lives.

Born in New Zealand in 1934, she spent the war years in England, returning with her family to New Zealand in 1947. She emigrated to Britain in 1963, working as a librarian in London until 1979. In 1977-78 she was writer-in-residence at Charlotte Mason College of Education, Ambleside. She was Northern Arts Literary Fellow in 1979-81, living in Newcastle, becoming a freelance writer after her return to London. She received an OBE in 1996, and the Queen’s Gold Medal for Poetry in 2006 for Poems 1960-2000 (Bloodaxe, 2000).

Fleur Adcock published three pamphlets with Bloodaxe: Below Loughrigg (1979), Hotspur (1986) and Meeting the Comet (1988), as well as her translations of medieval Latin lyrics, The Virgin & the Nightingale (1983). All her collections were then published by Oxford University Press until they shut down their poetry list in 1999, after which Bloodaxe published her collected poems Poems 1960-2000 (2000), followed by Dragon Talk (2010) and Glass Wings (2013). Poems 1960-2000 is a Poetry Book Society Special Commendation and Glass Wings is a Poetry Book Society Recommendation.

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Consists of letters and manuscripts relating to the Glass Wings by Fleur Adcock.
Fleur Adcock’s title refers to the transparent, glittering wings of some of the species – bees, mosquitoes, dragonflies – celebrated or lamented in a sequence of poems on encounters with arthropods, from the stick insects and crayfish of her native New Zealand to the clothes' moths that infest her London house. There is an elegy for the once abundant caterpillars of her English childhood, while other sections of the book include elegies for human beings and poems based on family wills from the 16th to the 20th centuries, as well as birthday greetings for old friends and for a new great-grandson.

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